The Eloquence of Art

1. Picturing Thessaloniki;

2. An icon of John the Baptist;

3. Internationalizing Russia's Byzantine heritage: Medieval enamels and chromolithographic geopolitics;

4. Gender and gesture;

5. The portrait of a lady;

6. The perils of Polyeuktos: On the manifestations of a martyr in Byzantine art, cult and literature;

7. Hanging by a thread: The death of Judas in early Christian art;

8. Claiming the Cross: Reconsidering the Stavelot triptych;

9. The making of an icon: 'Christ of the Miracle of the Latomou';

10. Firm flowers in the artifice of transience;

11. Art and efficacy in an icon of St. George;

12. Contexts for the Christos Paschon;

13. The calendar of saints in Hodegon lectionaries;

14. Multiple phase churches in Cappadocia;

15. Visions of the Passion imagined through the agency of voice and icon;

16. The season of salvation: Images and texts at Li Monaci in Apulia;

17. King David narratives, messianic politics and the Dura-Europos synagogue;

18. From a conqueror to a legitimate heir: The Byzantine princely family, Gentile Bellini and Mehmed II Fatih;

19. The giraffe that came to Constantinople;

20. The many-eyed archangels in early Byzantine art;

21. Absence of Nomina Sacra in post-iconoclastic images of Christ and the Virgin: Mosaics of Hagia Sophia, Constantinople;

22. Integrated yet segregated: Eastern Islamic art in twelfth-century Byzantium;

23. The Mother of God in the earthly paradise