The Trip to Echo Spring

Rezensionen / Stimmen

One of the best books I've read about the creative uses of adversity: frightening but perversely inspiring -- HILARY MANTEL A work of art, with a voice and a mood all its own. * * Nick Hornby * * Original, brave and very moving . . . Her insights shine with beauty yet are shaded by sympathy and compassion * * Observer * * A terrific writer * * The Times * * Full of insight, compassion and unexpected beauty * * Guardian * * Haunting . . . a moving, troubling, gorgeously written book * * Independent on Sunday, Paperbacks of the Year * * Beguiling, beautifully written . . . brilliant and original -- JOHN CAREY * * The Sunday Times * * Beguiling and incisive * * New York Times * * Laing's prose is lucid and exuberant * * Financial Times * * Laing is a brilliant wordsmith and this is a beautifully accomplished book * * Independent * * Deliciously evocative . . . This is a highly accomplished book * * The List * * I loved The Trip to Echo Spring. It's a beautiful book that has stayed with me in a profound way -- NICK CAVE A triumphant exercise in creative reading in which diary entries, letters, poems, stories and plays are woven together to explore deep, interconnected themes of dependence, denial and self-destructiveness. It is a testimony to this book's compelling power that having finished it, I immediately wanted to read it again * * Scotland on Sunday * * While there is no straightforward answer to why writers drink, Laing explores the causes in admirable detail and astonishingly good prose that rivals the output of the authors she is writing about * * Observer * * Laing is a fine and stylish travel writer, with a sharp eye for passing detail and an acute ear for oddly amusing conversations * * Independent * * Laing's descriptions of the American landscape, as she travels south from New York to New Orleans and Key West, and then north up to St Paul and Port Angeles, are a joy to read. She has a keen eye for the details of American streets... She captures the discomfort of long train journeys... and evokes the smells and sounds of an unknown city. A thunderstorm is recorded in intimate detail; the snatched conversations of fellow travellers are threaded into her narrative . . . there is much to enjoy in this trip across America. In Ms Laing's hands these famously complicated men become fragile, and terribly human * * The Economist * * Laing writes so well, so seductively in fact, that this deconstructed way of pursuing a story works brilliantly again * * Evening Standard * * Laing is often perceptive. She has a flair for elegant, cursive summaries of these various bodies of work and the shaping pressures of drink upon them * * Times Literary Supplement * * A wonderful read * * GQ Magazine * * In pages of great lyric beauty, Laing travels in the footsteps of Cheever and company across America from New York to New Orleans. At times the writing shows a Hemingway influence ('In Alabama the earth was red and there was wisteria in the trees'); at others, a demotic Raymond Carver cut ('The hell with it'). The book, a hybrid of travel and literary criticism, is always engaging to read, as it casts a humane eye on the accidents, illness, social impairment and other damage caused by drink to the poet Berryman in particular, whose outraged innards and pale, wayworn face showed the horror of his multi-day benders and the moaning after the night before * * Spectator * * Laing makes us care about these writers' sufferings, the self-wreaked ravages on vital organs, the inexorable blackings-out of genius. But she makes us cherish even more what they left behind: literature soaked with "the power to map the more difficult regions of human experience" * * Independent on Sunday * * The book's subtitle, Why Writers Drink, undersells Laing's achievement. She has produced not an answer to a glib question, but a nuanced portrait - via biography, memoir, analysis - of the urge of the hyperarticulate to get raving drunk... The book achieves its greatest force through Laing's mix of intellect and intuition, which often recalls the New Yorker writer Janet Malcolm * * New Statesman * * Olivia Laing [is] a rising English critic who matches smart textual analysis of 20th-century greats with down-and-dirty ferreting around the places where they lived and worked... This is a superb idea, exceptionally well executed * * Metro * * Why read it? For its intoxicating prose and maverick spirit * * Tatler * * An elegant rumination on what it is that leads writers to take up the bottle * * London Review of Books * * By turns uplifting, horrific, and desperately sad, this is a fascinating, lyrical and original approach to addiction * * Good Book Guide * * Laing's lively, stylistically original and sometimes acutely personal study of writers and alcohol avoids literary cliche while coaxing out the subtext of their writings to show the causes and effects of addiction * * The Times * * [A] charming and gusto-driven look at the alcoholic insanity of six famous writers . . . There is much to learn from Laing's supple scholarship-and much to enjoy, too, in her obvious passion and engagement * * New York Times Book Review * * Juicy and sensitive * * New York Times Magazine * * Fascinating * * Metro * * Enthralling * * Psychologies * * It's a fascinating book and at its heart is the lasting work of those literary giants * * Daily Mail * * What gives her book its brilliance and originality [is] the quality of the writing * * Sunday Times * * Wonderful . . . this book is something more than a romantic celebration of the artist-souse * * Independent * * Olivia Laing's elegant cocktail of biography and travelogue reflects on the liquor-sodden works of six American writers while she crosses the States tipsily by rail * * Daily Telegraph * * A charming and gusto-driven look at the alcoholic insanity of six famous authors: John Cheever, Tennessee Williams, John Berryman, Ernest Hemingway, F. Scott Fitzgerald and Raymond Carver * * New York Times, 100 Notable Books of 2014 * *