Pioneering Participatory Art Practices

Name: Pioneering Participatory Art Practices | Tracing Actors, Associations and Interactions across the Long Sixties
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Tracing Actors, Associations and Interactions across the Long Sixties

Annemarie Kok(Autor*in)

transcript (Verlag)

1. Auflage

Erschienen am 6. Mai 2024

484 Seiten

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978-3-8394-7219-4 (ISBN)

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Inhalt

Cover
Contents
Acknowledgements
1 Introduction
1.1 Nothing new under the sun
1.2 Three cases of participatory art
1.3 Research questions and aims
1.4 Structure of the book
2 It is all about co-creation. Where the history of participatory art and ANT link up
A Tracing participatory art
2.1 An 'open' definition of participatory art
2.2 A genealogy of participatory art
2.3 The swinging sixties
2.4 Mapping the field of research
2.5 Participation and the notions of freedom and control: a theoretical perspective
Participation as a tool for liberation
Ladders of participation
Participation as a tool for control
The interplay of freedom and control
From theory to practice
B Tracing associations
2.6 Thinking with actor-network theory
2.7 The journey of ANT
2.8 ANT and the study of art
2.9 Three steps towards a 'risky account' of participatory art
Choose a starting point
Following actors
Writing a report
2.10 The challenges and limitations of the ANT toolbox
2.11 In conclusion
3 Participation at documenta 5. Illusions, plans and reality
3.1 A fifth documenta and the appointment of Szeemann
Early conversations and clashes
Szeemann's reputation
Szeemann's request for freedom
3.2 The first concept plan
The 100-Day Event
The idea of participation in the first concept plan for d5
The material event-structure designed by Archigram
The Street
Playful and activating exhibition models
A heavenly Jerusalem
3.3 The situation in the autumn of 1970
3.4 The second concept plan
Reality check
The executive team and the association between Bode and Szeemann
Echoes of the first concept plan
A section devoted to participation and play
Eight artists and their participatory works
The Parisian art scene
Additional plans for three other sections at the Friedrichsplatz
Participation in connection to the second concept plan for d5
"Opfer des Rotstifts"
The constraints of official positions
3.5 Participatory art at d5
3.6 In conclusion
4 "Please take off your shoes". In and around Dugger and Medalla's People's Participation Pavillion
4.1 A pavilion in the garden
4.2 Two comrades
4.3 Harald Szeemann and the invitation to participate in d5
4.4 The d5 catalogue
4.5 Communism and "participatory Maoism"
Growing politicisation
Orientation towards China and Mao
A communist pavilion
"[Y]ou can't make revolution unless you are in it"
Rectification
4.6 Artists Liberation Front
4.7 Popa at Moma
4.8 "The 'Random' show"
4.9 Kinetic connections
4.10 The Exploding Galaxy
4.11 Eastern philosophy and art
4.12 Travel
4.13 The institutional framework
4.14 In conclusion
5 Enlightening. Piotr Kowalski's participatory tools for the people
5.1 Carrying light in Kassel
5.2 Fluorescent tubes in Paris, Amsterdam and Stockholm
5.3 A family of manipulators
5.4 The art scene in Paris in the long sixties
5.5 Science for the people
From science, via architecture, to the visual arts
Bridging art and science
The viewer as experimenter
5.6 Learning by doing
5.7 Instruments in Florence
5.8 Energy and matter
5.9 Cybernetic principles
5.10 Making art burst
5.11 The spirit of 1968
5.12 Fieldwork
5.13 In conclusion
6 Make your own 'television'. On tour with the telewissen video bus
6.1 A red van in front of the Museum Fridericianum
6.2 A five-day film programme
6.3 A new participatory medium
6.4 The telewissen network
6.5 From viewing and presenting yourself, to sharing your opinion, to producing your own video: a trajectory of participation
A magic mirror in Darmstadt
Public debate in Kassel
DIY TV
6.6 Alternative media practice and theory
6.7 American media 'freaks'
6.8 Experimental music in Darmstadt
6.9 Do it yourself!
6.10 Hippies and Yippies
6.11 Pedagogy and education
6.12 The art world
6.13 In conclusion
7 Concluding remarks
Bibliography

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