Master Shots Vol 3: The Director's Vision

Name: Master Shots Vol 3: The Director's Vision | 100 Setups, Scenes and Moves for Your Breakthrough Movie
Brand: Michael Wiese Productions
Price: 55.99 EUR
Availability: OnlineOnly

100 Setups, Scenes and Moves for Your Breakthrough Movie

Christopher Kenworhty(Autor*in)

Michael Wiese Productions (Verlag)

1. Auflage

Erschienen am 30. Oktober 2013

240 Seiten

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978-1-61593-191-0 (ISBN)

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Beschreibung

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Inhalt

Cover
Title
Copyright
Contents
Introduction
How to Use this Book
About the Images
Chapter 1: Advanced Lensing
1.1 Long Lens Distant
1.2 Long Lens Close
1.3 Long Lens Stationary
1.4 Long Lens in Motion
1.5 Short Lens Distant
1.6 Short Lens Close
1.7 Short Lens Stationary
1.8 Short Lens in Motion
1.9 The Medium Lens
1.10 Cutting the Lens
Chapter 2: Essential Motion
2.1 Blended Moves
2.2 Camera in Motion
2.3 Character Drives Camera
2.4 Reveal Moves
2.5 Move with Camera
2.6 Moving Straight On
2.7 Moving Sideways
2.8 Moving at an Angle
2.9 Short Moves
2.10 Turns and Curves
Chapter 3: Depth Staging
3.1 Character Moves
3.2 Crossing
3.3 Move to Frame
3.4 Moving Point of View
3.5 Move to Reveal
3.6 Move with Reflection
3.7 Reversed Push
3.8 Velocity Dolly
Chapter 4: Expert Framing
4.1 Line Cross
4.2 Break Cut
4.3 Pan Motion
4.4 Push Through
4.5 Repeat Angle Push
4.6 Tilt Reveal
4.7 Rotate Out
4.8 Silhouette
Chapter 5: Symbolic Staging
5.1 Double Push
5.2 Magnetic Characters
5.3 Intimacy Break
5.4 High Drag
5.5 Power Exchange
5.6 Indecision
5.7 Isolating Push
5.8 Group Break
Chapter 6: Production Design and Location
6.1 Anti-Establishment Shots
6.2 Dirty Frame
6.3 Enrich the Foreground
6.4 Fake Wall
6.5 Framing Through
6.6 Framing Focus
6.7 Personal Reveal
6.8 Reflection Establishment
6.9 Reverse Reflection
Chapter 7: Dynamic Action
7.1 Action Shift
7.2 Misdirected Motion
7.3 Return to Subject
7.4 Paused Push
7.5 Push Against Flow
7.6 Motion Circle
7.7 Conveying Speed
7.8 Turn Cut
Chapter 8: Shooting Performance
8.1 Opening the Scene
8.2 Body Acting
8.3 Core Close-Ups
8.4 Extreme Close-Ups
8.5 Angled Talk
8.6 Slide into Scene
8.7 Owning a Scene
8.8 Parallel Space
8.9 Separating Characters
Chapter 9: Camera Height
9.1 Head Heights
9.2 Angle Intrusion
9.3 Angled Heights
9.4 Down to Camera
9.5 Flattening the Shot
9.6 High Angle
9.7 Motionless Look-Up
9.8 Unseen Face
9.9 Low Slide
9.10 Seated Power
Chapter 10: Complex Camera Moves
10.1 Complex Spin
10.2 Actors in Motion
10.3 Cutting from the Master
10.4 Diagonal Reveal
10.5 Long Track
10.6 Dolly Frame
10.7 Push to Close-Up
10.8 Wide to Close
10.9 Opposing Slide
10.10 Group in Motion
Chapter 11: The Advanced Director
11.1 Deep Blocking
11.2 Motivate the Camera
11.3 Developing Motion
11.4 Making Use of Space
11.5 Lost Geography
11.6 Character View
11.7 Story Points
11.8 Scene Staging
11.9 Visualizing the Scene
11.10 Creating On-Set
Conclusion
About the Author

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