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Jay Pather, Performance and Spatial Politics in South Africa offers the first full-length monograph on the award-winning choreographer, theater director, curator, and creative artist in contemporary global performance. Working within the contexts of African studies, dance, theater, and performance, Ketu H. Katrak explores the extent of Pather's productive career but also places him and his work in the South African and global arts scene, where he is considered a visionary.
Pather, a South African of Indian heritage, is known as a master of space, site, and location. Katrak examines how Pather's performance practices place him in the center of global trends that are interdisciplinary, multidisciplinary, collaborative, and multimedia and that cross borders between dance, theater, visual art, and technology.
Jay Pather, Performance and Spatial Politics in South Africa offers a vision of an artist who is strategically aware of the spatiality of human life, who understands the human body as the nation's collective history, and who is a symbol of hope and resilience after the trauma of violent segregation.
Ketu H. Katrak is Professor in the Department of Drama at the University of California, Irvine. She is author of Contemporary Indian Dance: New Creative Choreography in India and the Diaspora, Politics of the Female Body: Postcolonial Women Writers of the Third World, and Wole Soyinka and Modern Tragedy: A Study of Dramatic Theory and Practice.
Preface: Personal Journey to Discovering Jay PatherIntroduction: Pather's Spatial Politics within South Africa's Historical and Political LandscapeJourneys across Political, Socio-racial and Geographic Borderlines: Interconnecting the Present, Past, and Future1. Crossing (over): Indian Ocean Migrations Pather's Historical Dance-Dramas2. Race and Space Matter: Outdancing Apartheid's Grip (1980s and 1990s) The Truth and Reconciliation Commission (TRC) Choreographed Critiques of Broken Promises Post-1994 Testimonies; Laws of Recall; Unclenching the Fist, Forked Tongues, Shifting Spaces, Tilting TimeThe Transitional and the In-between: Theoretical and Creative Engagements with Urban Geography (2000-2015)3. Site-Specific Cartographies of Belonging Cityscapes; Republic; Rite, Blind Spot4. Site-Responsive Works of History and Memory Home; The Beautiful Ones Must be Born; Body of Evidence; Qaphela CaesarCuratorial Choreographies: Challenges of Curating Public Art Festivals (2007-Present)5. A New Kind of Performance-Curation of Live Artists Director of the Gordon Institute for Performing and Creative Arts (2010-2015), now the Institute for Creative Arts (2016 on) Spier Contemporary: Fostering New South African Arts Director of GIPCA 2010-2015; Institute for Creative Arts (2016 on)Conclusion: A Sense of EndingAppendix: Indians in South AfricaBibliographyIndex
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