German-Language Children's and Youth Literature In The Media Network 1900-1945.

Preface.- Introduction.- I Overview articles.- Children's and youth radio from 1900 to 1945.- Children's and youth film from 1900 to 1945.- Children's and youth theater from 1900 to 1945.- Digital explorations of historical media networks. Basic outlines of portal development in interdisciplinary perspective.- II Pioneers conquer the new media.- From children's theater to film. Media convergence in the early work of Fritz Genschow and Renée Stobrawa.- Mickey Mouse. An (Ur-)American character in 1930s Germany.- Funkheinzelmann. The multimedia career of a radio character.- III Stage children migrate to radio and/or film.- Once to the moon and back. Peter's moon ride and his media journey.- In Never Never Land. How Peter Pan made book, theater and film history.- Urians Weltreise. Motif history and media adaptations.- IV Fairy tales in film and radio.- "That was a splendid fairy tale!" The Flying Suitcase by H. C. Andersen in the media network.- Mutabor! Art fairy tales by Wilhelm Hauff in media transfer.- V Classics in all media.- Max und Moritz across the media. And especially in the comic strip.- Robinsonades between 1900 and 1945. From the silent film classic to the radio Robinson.- VI School stories in the theater, book and on the screen.- Beyond Romy and Lilli. Christa Winsloe's retirement story and its forms of presentation in the media.- Traumulus. From naturalistic drama to Nazi film adaptation.- "Da stelle ma uns mal janz dumm" Die Feuerzangenbowle - eine Medienverbundanalyse.- VII Verbrechen und scandalöses auf der Leinwand.- Emotionalisierung zwischen Sexualität, Generationenkonflikt und Machtdiskurs. The Steglitz school tragedy as a media network.- The genre system of the early screen detectives. On the media alliances around Sherlock Holmes, Nick Carter, Stuart Webbs, and Joe Deebs.- "By golly, that's famos" Media mobilization in the Nazi girls' film Was tun, Sibylle?.- VIII Political conquers book and film.- Pacifist anti-war films of the pre-fascistera. The media network around Im Westen nichts Neues.- Boyish Romanticism in a Timeless Idyll? Depoliticizing entertainment using the example of Alfred Weidenmann's Jakko.