Acknowledgments ix
Prelude xi
Part I Musicking
1 Music as an Active Process 3
2 Music as an Embodied Process 23
3 Musical Instruments 39
Part II Embodiment
4 Music-Related Body Motion 53
5 Functional Aspects 71
6 Representations of Sound Actions 85
Part III Interaction
7 Action-Sound Couplings 99
8 Action-Sound Mappings 123
9 Spationtemporality 159
Part IV Affection
10 From Ivory to Silicone 177
11 Unconventional Instruments 205
12 Performing in the Air 219
Postlude 243
Bibliography 253
Index 281