Perspectives on Narrativity and Narrative Perspectivization

Name: Perspectives on Narrativity and Narrative Perspectivization
Brand: John Benjamins Publishing Company
Price: 118.99 EUR
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Natalia Igl Sonja Zeman(Herausgeber*in)

John Benjamins Publishing Company

1. Auflage

Erschienen am 15. März 2016

VII, 182 Seiten

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Inhalt

Intro
Perspectives on Narrativity and Narrative Perspectivization
Editorial page
Title page
LCC data
Table of contents
Preface and Acknowledgements
Introduction
1. The perspectival character of narrativity
2. Perspectives on narrativity
2.1 Narrativity as a perspectival constellation
2.2 Narrativity as a recursive property
2.3 Narrativity as a dynamic configuration
3. Narrative perspectivization
4. The perspectives of the volume
References
Part I: Cognitive-linguistic perspectives
Perspectivization as a link between narrative micro- and macro-structure
1. Why are narratives special?
2. The core principle of perspectivization
3. Perspectivization on the linguistic micro-structure
3.1 Temporal perspectivization and the "Jekyll-and-Hyde effect"
3.2 Perspectivization vs. deixis
3.3 Effects on the textual level: The double-layered structure of discourse
4. The double-layered structure of narrative discourse
5. Recursive embedding and the emerging story: The case of Nabokov's Lolita
5.1 Viewpoint multiplication: Who speaks and who perceives?
5.2 The epistemic path, or: What do we really know about Lolita?
6. Conclusion: The characteristics of narrative structure
References
Presenting narration
1. Introduction
2. The data: Paving the way
2.1 Renarrative
2.2 Tripartite article
3. Semantics: Referential anchoring
3.1 Renarrative
3.2 Tripartite article
4. Discourse-pragmatics: Perspectival effects
4.1 Deixis - point of view - perspectivity
4.2 Renarrative
4.3 Tripartite article
5. Narrativity: Presenting narration
5.1 Renarrative
5.2 Tripartite article
6. Summary
References
Neurolinguistic view into narrative processing
1. A neurolinguistic path to narrativity
2. Processing of macro-structures in neurologic patients
2.1 Influence of executive function on language processing
2.2 Narrative processing in acquired language disorders
3. Psycholinguistic models of narrative processing
4. Exploring the cognitive-linguistic interface of narratives
4.1 Procedure
4.2 Participants
4.3 Impact of cognitive functions on narrative processing
4.3.1 Narrative text comprehension
4.3.2 Narrative text production
5. Conclusion
References
Appendix
Part II: Literary and transmedial perspectives
The double-layered structure of narrative discourse and complex strategies of perspectivization
1. Starting point: Distance, perspective, and "meta"
2. A three-staged model of narrative communication
3. Exemplary analysis of complex forms of perspectivization in narrative
3.1 Meta-discursive strategies in E.T.A. Hoffmann's The Golden Pot
3.2 Bridging the gap between narrator and narratee - Wolf Haas' metanarrative detective novels
4. Conclusion
Primary Sources
References
Narrator and narrative space in Middle High German epic poetry (Parzival, Ehescheidungsgespräch, Prosalancelot)
1. The fundamental difference between modern and medieval storytelling
2. The emergence of vernacular script-based storytelling at the end of the 12th century
3. The differentiation of the fundamental form of courtly storytelling in the 13th century
3.1 Wolfram's Parzival
3.2 The Stricker: Ehescheidungsgespräch
3.3 Prosalancelot
4. Outlook
Seeing or meaning?
1. Perspective as a visual and analytical term
2. Pfister's concept of perspective in drama
3. Play within the play revealing dramatic perspectivization
4. Linking macro- and micro-structure
4.1 Catharina von Georgien
4.2 Prince Friedrich von Homburg
4.3 The God of Carnage
5. Conclusion
Primary sources
References
Pictorial narrativity
1. Introduction
2. The critical arguments and their presuppositions
2.1 The presupposed concepts of narrativity
2.2 The presupposed characterizations of the pictorial medium
3. Conditions for pictorial narrativity
3.1 The "suitable relation" and its reasons
3.2 The fruitful moment
4. Narrative stimuli in different types of pictures
4.1 Narrative stimuli in single pictures
4.2 Narrative stimuli in multiphase pictures and picture series
5. Conclusion
References
Index

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