Ottoman Empire and European Theatre Vol. I

Michael Hüttler, Hans Ernst Weidinger: Editorial;
Michael Hüttler: Orientalism on Stage: Historical Approaches and Scholarly Reception;
Wolfgang Greisenegger: University of Vienna;
Ilber Ortayli: Topkapi Palace Museum Istanbul;
Metin And: Turkish Academy of Sciences;
Zeynep Oral: In Memoriam Leyla Gencer;
Bertrand Michael Buchmann: Austria's Relations with The Ottoman Empire in The Eighteenth Century;
Mehmet Alaaddin Yalcinkaya: The Ottoman Empire and Europe in The Wake of The Second Half of The Eighteenth Century;
Suna Suner: The Earliest Opera Performances in The Ottoman World and The Role of Diplomacy;
Walter Puchner: European Drama and Theatre in Seventeenth-Century Istanbul;
B. Babür Turna: The Watcher and The Watched: Ottoman Diplomatic Visitors as Spectator and Performer in Eighteenth-Century Europe;
Günsel Renda: European Ambassadors at The Ottoman Court: The Imperial Protocol in the Eighteenth Century;
Frank Huss: "Auf Türkische Art prächtig aufgeputzt" - The Visit to Vienna by The Extraordinary Ottoman Envoy, Chaddi Mustafa Efendi, in The Year 1748;
William F. Parmentier II: The Mehter - Cultural Perceptions and Interpretations of Turkish Drum and Bugle Music;
Alexandre Lhaa: Performing 'Turkish Rulers' on The Teatro alla Scala's Stage;
Esin Akalin: The Ottoman Seraglio on European Stages;
Emre Araci: "Help for The Turk" - Investigating Ottoman Musical Representations in Britain;
Bent Holm: The Staging of The Turk - The Turk in The Danish Theatre of The Eighteenth Century;
Isabelle Moindrot: The 'Turk' and The 'Parisienne' - From Favart's Soliman Second, ou Les Trois Sultanes (1761) to Les Trois Sultanes (Pathe, 1912);
Thomas Betzwieser: Ottoman Representation and Theatrical Alla Turca - Visiting an Unknown Viennese Source of 'Turkish' Incidental Music;
Michael Hüttler: 'Turks' on The Late Eighteenth Century's Stage - a Research Project based on The Viennese Repertoire; Matthias J. Pernerstorfer: The Second Turkish Siege of Vienna (1683) Reflected in its First Centenary - 'Anniversary Plays' in The Palffy Theatre Library, Vienna;
Erich Duda: Mozart's Pupil and Friend - Franz Xaver Süssmayr's Sinfonia Turchesca, Il Turco in Italia, and Soliman der Zweite;
Gabriele C. Pfeiffer: Freemason, Mozart's Contemporary, and Theatre Director on the Edge - Franz Kratter's Der Friede am Pruth (1799). Cataloguing The Komplex Mauerbach, Vienna.
Matthew Head: In The Orient of Vienna - Mozart's Turkish Music and The Theatrical Self;
Marianne Traven: Getting Emotional - Mozart's Turkish Operas and The Emotive Aspect of Slavery;
Derek Weber: From Zaide to Die Entführung aus dem Serail - Mozart's 'Turkish' Operas;
Nadja Kayali: Mozart's 'Orient' on Stage;
Annemarie Bönsch: 'Turkish' and 'Exotic' References in The European Fashion;
Selin Ipek: European Influences on Eighteenth-Century Ottoman Imperial Fashion;
Tülay Artan: A Composite Universe - Arts and Society in Istanbul at The End of The Eighteenth Century;
Caroline Herfert: 'German Poet and Turkish Diplomat' - Murad Efendi, Ottoman Consul in Temeswar, and The Tragedy Selim der Dritte;
Günsel Renda: Selim III as Patron of The Arts
Mustafa Fathis Salgar: Selim III as a Man of Letters and Art;
Aysin Candan: The Play World of Selim III;
Ulrike Schneider: Between Enlightenment and Orient - Oberon by Christoph Martin Wieland;
Hans-Peter Kellner: The Forgotten Composer Friedrich Ludwig Aemilius Kunzen;