AN INSTANT SUNDAY TIMES BESTSELLER
The twisted, unforgettable horror novel from Grady Hendrix, author of How to Sell a Haunted House and The Final Girl Support Group.
'A chillingly addictive Southern Gothic tale'
COSMOPOLITAN
'I did an evil thing to be put in here, and I'm going to have to do an evil thing to get out.'
They call them wayward girls. Loose girls. Girls who grew up too fast. And they're sent to the Wellwood House in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, give them up for adoption, and most important of all, to forget any of it ever happened.
Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, terrified and alone. There, she meets a dozen other girls in the same predicament. Rose, a hippie who insists she's going to keep her baby and escape to a commune. Zinnia, a budding musician who plans to marry her baby's father. And Holly, barely fourteen, mute and pregnant by no-one-knows-who.
Every moment of their waking day is strictly controlled by adults who claim they know what's best for them. Then Fern meets a librarian who gives her an occult book about witchcraft, and power is in the hands of the girls for the first time in their lives. But power can destroy as easily as it creates, and it's never given freely. There's always a price to be paid . . . and it's usually paid in blood.
Readers love Witchcraft for Wayward Girls . . .
'I was drawn in from the very first page'
'Gave me chills'
'Tackles female rage brilliantly'
'Now know why this author is so hyped!'
'Disturbing but brilliant'
Witchcraft for Wayward Girls was a No. 5 Sunday Times bestseller the w/e 18th January.
Rezensionen / Stimmen
A chillingly addictive Southern Gothic tale -- <i>Cosmopolitan</i> This visceral tale of oppression, resistance and consequences provides chilly horrors -- <i>Daily Mail</i> Superb . . . Hendrix's genius as a horror writer is his ability to develop complex, human-scale emotional arcs . . . At turns frightening, anxiety-producing, infuriating, beautiful and sad, Witchcraft for Wayward Girls is a perfect horror for our imperfect age -- <i>New York Times</i> An engrossing, compelling read -- <i>The Guardian</i> This book is so twisted and smart . . . As soon as I finished, I wanted to start all over again -- Catriona Ward, author of <i>The Last House on Needless Street</i> and <i>Nowhere Burning</i> A devilishly good time -- <i>People Magazine</i> There's spells, there's witches, and then there's the magic Grady Hendrix conjures up in this amazing novel -- Stephen Graham Jones, <i>New York Times</i> bestselling author of <i>I Was a Teenage Slasher</i> A morally complex and genuinely haunting and moving tale. I couldn't put it down once I started -- Paul Tremblay, bestselling author of <i>The Cabin at the End of the World</i> Another nail-biter not to be missed! -- Tananarive Due, author of <i>The Reformatory</i> This is Satan's School for Girls or The Initiation of Sarah . . . horror, social comment and wicked black humour -- Kim Newman, author of <i>Anno Dracula</i> Terrifying, darkly funny, moving, immersive, and deeply relevant - a page-turner that will keep you up until one in the morning -- Simone St. James, <i>New York Times</i> bestselling author of <i>Murder Road</i> Grady Hendrix does it again, only better . . . Enchanting and entertaining -- Alma Katsu, author of <i>The Fervor</i> Full of hexes and heart, Witchcraft for Wayward Girls is Hendrix's best novel yet! -- Ronald Malfi, bestselling author of <i>Come with Me</i> Captivating . . . A phenomenal read for witches everywhere! -- Carissa Orlando, author of <i>The September House</i> Portentous and disquieting, it's a book that'll linger like a scar -- Cassandra Khaw, author of <i>Nothing But Blackened Teeth</i> and <i>The Salt Grows Heavy</i> Stunning, full of dread and heartache and unforgettable characters. It's impossible to read this book and not be touched by it. What a triumph! -- Christopher Golden, <i>New York Times</i> bestselling author of <i>The House of Last Resort</i> and <i>Road of Bones</i> As pacey as it is insightful, and an absolute page-turner into the bargain. I devoured it -- Alison Littlewood, author of <i>The Hidden People</i> Raw, fearless and powerful. I screamed, I sobbed, I devoured every word -- Lindy Ryan, author of <i>Bless Your Heart</i> and <i>Cold Snap</i> A haunted, heartbreaking masterpiece, filled with magic and monsters - human and otherwise. Hendrix has written an unmissable instant horror classic -- Christina Henry, author of <i>The House that Horror Built</i> and <i>Alice</i> A powerful novel filled with rich, complex characters, echoing with dread and hope, and driven by righteous rage. At times I found myself shaking with fury, at other times . . . yes, Grady made me cry again. Beautiful and brilliant -- Tim Lebbon, author of <i>Among the Living</i> An enormously entertaining novel, populated with characters you love -- <i>Locus</i> This book blew me away, his ability to infuse his work with humour and heart is unmatched. -- Scream Magazine A must-read for fans of gothic horror and feminist storytelling. -- Voice Magazine
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Interest Age: From 18 years
Dateigröße
ISBN-13
978-1-0350-3090-3 (9781035030903)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Grady Hendrix is a New York Times bestselling novelist and screenwriter who owns too many paperbacks and not enough shelves. He's the author of How to Sell a Haunted House, The Final Girl Support Group, The Southern Book Club's Guide to Slaying Vampires, and many more, including Paperbacks from Hell, a history of the horror paperback boom of the seventies and eighties that won the Bram Stoker Award for Superior Achievement in Nonfiction. (All the paperbacks are for "research" and he needs them.) His books have sold over two million copies and have been translated into more than twenty languages. He lives in New York City and will die there, too, probably crushed to death beneath piles of those paperbacks.
