Popular Music, Power and Play

Rezensionen / Stimmen

By assigning an individual fader to numerous theories on creativity, then incorporating case studies and reflections from several working musicians as filters and processors, Heiser has crafted the equivalent of a classic pop album; balancing compositional elements that proudly bear their influences coupled with new ideas and insights that spark the mind. Popular Music, Power and Play holds up to repeated listens and is a welcome addition to both popular music studies and creativity research literature. * Alan Williams, Professor of Music, University of Massachusetts Lowell, USA * This book heads into territory desperately needed to understand the playful side of creativity and its role in popular music. Marshall Heiser is wise enough to understand that it is in the interaction of technology with the social, the interaction of social and cultural structures with a creative individual's agency, and the interaction between individual psychological perspectives with sociocultural understandings of popular-music production, that is where we all need to go. The book takes us on a journey through the confluence of interdependent components which must converge, both within and without the individual, in order for creativity to emerge in popular music. It adopts a playful frame of mind and picks its way through the latest theoretical concerns. It exemplifies these with adept case studies and, in doing so, it puts the person, in all their glorious playfulness, back into the map of the system of creativity. * Phillip McIntyre, Professor, University of Newcastle, Australia, and co-author of Paul McCartney and his Creative Practice: The Beatles and Beyond (2021) * Focusing on the intangibles-uncertainty, risk, playfulness, contingency-Heiser brings a fresh vibrancy to the study of the art of record production. An insightful guide to the exploratory nature of studio practice. * Albin Zak, Professor of Music Emeritus, University at Albany, USA *
 
By assigning an individual fader to numerous theories on creativity, then incorporating case studies and reflections from several working musicians as filters and processors, Heiser has crafted the equivalent of a classic pop album; balancing compositional elements that proudly bear their influences coupled with new ideas and insights that spark the mind. Popular Music, Power and Play holds up to repeated listens and is a welcome addition to both popular music studies and creativity research literature. * Alan Williams, Professor of Music, University of Massachusetts Lowell, USA *
This book heads into territory desperately needed to understand the playful side of creativity and its role in popular music. Marshall Heiser is wise enough to understand that it is in the interaction of technology with the social, the interaction of social and cultural structures with a creative individual's agency, and the interaction between individual psychological perspectives with sociocultural understandings of popular-music production, that is where we all need to go. The book takes us on a journey through the confluence of interdependent components which must converge, both within and without the individual, in order for creativity to emerge in popular music. It adopts a playful frame of mind and picks its way through the latest theoretical concerns. It exemplifies these with adept case studies and, in doing so, it puts the person, in all their glorious playfulness, back into the map of the system of creativity. * Phillip McIntyre, Professor, University of Newcastle, Australia, and co-author of Paul McCartney and his Creative Practice: The Beatles and Beyond (2021) *
Focusing on the intangibles-uncertainty, risk, playfulness, contingency-Heiser brings a fresh vibrancy to the study of the art of record production. An insightful guide to the exploratory nature of studio practice. * Albin Zak, Professor of Music Emeritus, University at Albany, USA *