The Routledge Research Companion to Ford Madox Ford

Introduction - Ford Studies in the Twenty-First Century: bibliography, criticism and the gap on the map, Sara Haslam

Part I: 'Scholarly Foundations'



Ford's Letters - Sara Haslam and Max Saunders
Ford's Reception History - Karolyn Steffens and Joseph Wiesenfarth
Ford, Book History, and the Canon - Lise Jaillant

Part II: 'Literary Identity'



Ford, Family, and Music - Nathan Waddell
Ford, Apprenticeship, and Collaboration - Gene Moore
Ford and Life-Writing - Jerome Boyd-Maunsell
Ford and the French Connection - Dominique Lemarchal
Ford as Poet - Ashley Chantler
Ford, Modernism, and Postmodernism - Isabelle Brasme
Ford and the First World War - Andy Frayn

Part III: 'Ford and place'



Ford's Urban Spaces - Laura Colombino
Ford's Rural Spaces - Paul Skinner
Ford's Transatlantic Visions - Meghan Marie Hammond
Ford's Continental Visions - Caroline Patey

Part IV: 'Case studies'



Ford's 'The Good Soldier' - John Attridge
Ford's 'Parade's End' - Peter Clasen and Max Saunders
Ford's Journalism - Stephen Rogers
Ford's Literary Histories - Angus Wrenn
Ford's Cultural Criticism - Dan Moore
Ford as Editor - Matt Huculak

Part V: 'Themes and Critical Approaches'



Ford and History - Seamus O'Malley
Ford's Style, Technique, and Theory - Rob Hawkes
Ford, Vision, and Media - Laura Colombino
Ford and Gender - Elizabeth Brunton
Ford and Comedy - Paul Skinner
Editing Ford - Sara Haslam, Max Saunders and Paul Skinner

Appendix of Ford's unpublished writing