Pop Art and Beyond

Acknowledgments
List of Illustrations
Notes on Contributors

Introduction by Mona Hadler and Kalliopi Minioudaki

1. Cults or Subcultures? Reckoning with Collective Creation in the English Pop World
by Thomas Crow
2. The 1960s in Bamako: Malick Sidibé and James Brown
by Manthia Diawara
3. Yugoslav Pop, Female Artists, and the Emergence of Feminist Agency
by Lina Dzuverovic
4. "Everything for Money": Warhol, Kant, and Class
by Anthony E. Grudin
5. Pop Art's Comic Turn and the Stand-Up Revolution
by Mona Hadler
6. Tom Max's "Okinawan Inferno": Reversion and After
by Hiroko Ikegami
7. Following the Traces of Yemanjá: Pop Art, Cultura Popular, and Printmaking in Brazil
by Giulia Lamoni
8. Facing the Maid: Gendered Shades of Labor in American Pop
by Kalliopi Minioudaki
9. The Commonwealth of British Pop: Race, Labor, and Postcolonial Politics in Frank Bowling's Mother's House Series
by Maryam Ohadi-Hamadani
10. Market Wares and Trade Marks: Painting Pop in Indian Country, 1964
by Kristine K. Ronan
11. Entangled Mythologies: Race and Class in Hervé Télémaque's Pop (1963-5)
by Marine Schütz
12. Snap! Crackle! Pow!: Robert Colescott and Pop Art
by Lowery Stokes Sims
13. Against the Heroes: Revolution, Repression, and Raúl Martínez's Cuban Pop Art
by Mercedes Trelles Hernández
14. Myriam Bat-Yosef: World Citizen, Artist of the Pop Era
by Sarah Wilson
15. Free Your Mind and Your Ass Will Follow: Feminism and the (Pop) "Image" in Chicago's Black Arts Movement
by Rebecca Zorach

Index