The Importance of Music to Girls tells the story of the adventures that music leads us into - getting drunk, falling in love, cutting our hair, wanting to change the world - as well as the darker side of the adolescent years: loneliness, bullying, getting arrested. Lavinia Greenlaw remembers the music that inspired and accompanied her, and compelled her generation. From fancying Donny Osmond, to wanting to be Ian Curtis, this is a razor-sharp memoir, filtered through the medium of music.
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978-0-571-32617-4 (9780571326174)
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Lavinia Greenlaw was born in London. She studied seventeenth-century art at the Courtauld Institute, and was the first artist in residence at the Science Museum. Her awards include a Nesta Fellowship, the Ted Hughes Award for her immersive soundwork, Audio Obscura, and a Wellcome Engagement Fellowship. She has published six collections of poetry with Faber, including Minsk (2003), which was shortlisted for the T. S. Eliot, Forward and Whitbread Poetry prizes, A Double Sorrow: Troilus and Criseyde (2014) which was shortlisted for the Costa Poetry Award, and The Built Moment (2019). Her novels include In the City of Love's Sleep (2018), and her non-fiction includes The Importance of Music to Girls (2007), Some Answers Without Questions (2021) and The Vast Extent: On Seeing and Not Seeing Further (2024). Her Selected Poems was published in 2024. She is Emeritus Professor at Royal Holloway, University of London.
