The New Bruckner

Rezensionen / Stimmen

'The New Bruckner is extremely well written and handsomely produced. All in all [...] a fine and impressive contribution to Bruckner studies, and Dermot Gault is to be warmly congratulated on a splendid achievement.' The Bruckner Journal '... these new scholarly insights, which have emerged from historical, contextual, and text-critical research, have profound implications for our understanding, performance, and appreciation of Bruckner's music, yet non-scholarly constituencies (critics, commentators, performers, and especially fans) have been both slow and often hesitant to awaken to them... Gault reliably, and often perceptively, captures the gist of the new textual research and conceptual reorientation and from this perspective he draws a clear, comprehensible picture of the 'new Bruckner'.' Music and Letters 'Gault's study represents an excellent contribution to the literature on Bruckner. Not only does The New Bruckner succeed in furnishing a new, more accurate picture of the Brucknerian processes of composition and revision, it offers an invaluable synthesis of the philological, biographical, and analytical insights that are slowly eliciting a more nuanced perception of the composer and his music. Bruckner specialists and nineteenth-century music scholars will benefit immensely from Gault's achievement.' Music Theory Online 'Gault is an accomplished writer. His prose is clear and pleasing, and it faces and subdues difficult concepts without misrepresenting their difficulty. In short, this is a superb book. If you want to have a deep understanding of Bruckner's editions and the processes that brought them into existence, this is the book to have.' American Record Guide