A selection of the best and most representative contemporary American short fiction from 1970 to 2020, including such authors as Ursula K. LeGuin, Toni Cade Bambara, Jhumpa Lahiri, Sandra Cisneros, and Ted Chiang, hand-selected by celebrated editor and anthologist John Freeman.
IN THE PAST fifty years, the American short story has changed dramatically. New voices, forms, and mixtures of genres have brought this unique US genre a thrilling burst of energy. This rich anthology celebrates this avalanche of talent. Beginning in 1970, it culls together a half century of powerful American short stories from all genres, including--for the first time in a literary anthology--science fiction, horror, and fantasy, placing writers such as Usula Le Guin, Ken Liu and Stephen King next to some of the often-taught geniuses of the form--Grace Paley, Toni Cade Bambara, Sandra Cisneros, and Denis Johnson. Culling widely, Freeman, the former editor of Granta and now of his own literary annual, brings forward some astonishing work to be regarded in a new light. Often overlooked tales by Dorothy Allison, Charles Johnson, and Toni Morrison will recast the shape and texture of today's enlarging atmosphere of literary dialogue. Stories by Lauren Groff and Ted Chiang raise the spectre of engagement in ecocidal times. Short tales by Tobias Wolff, George Saunders, and Lydia Davis rub shoulders with near novellas by Susan Sontag and Andrew Holleran. This book will be a treasure trove for readers and teachers alike.
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978-1-9848-7781-9 (9781984877819)
Schweitzer Klassifikation
John Freeman is the editor of Freeman's, a literary annual of new writing, and executive editor at Alfred A. Knopf. His books include How to Read a Novelist and Dictionary of the Undoing, as well as Tales of Two Americas, an anthology about income inequality in America, and Tales of Two Planets, an anthology of new writing about inequality and the climate crisis globally. He is also the author of two poetry collections, Maps and The Park. His work is translated into more than twenty languages, and has appeared in The New Yorker, The Paris Review, and The New York Times. The former editor of Granta, he teaches writing at New York University.
