Ways of Seeing, Ways of Speaking

Name: Ways of Seeing, Ways of Speaking | The Integration of Rhetoric and Vision in Constructing the Real
Brand: Parlor Press, LLC
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The Integration of Rhetoric and Vision in Constructing the Real

Kristie S. Fleckenstein Sue Hum(Herausgeber*in)

Parlor Press, LLC

Erschienen am 11. Oktober 2007

266 Seiten

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Inhalt

Front cover
Series page
Title page
Copyright page
Table of contents
Illustrations
Acknowledgments
1 Testifying: Seeing and Saying in World Making
Kristie S. Fleckenstein
Part I: Emergence
2 Hermeneutics and the New Imaging
Don Ihde
3 Darwin's Diagram: Scientific Visions and Scientific Visuals
Alan Gross
Part II: Appropriation
4 Body Pixel Child / Space Time Machine
Anne Frances Wysocki
5 The Racialized Gaze:Authenticity and Universality in Disney's Mulan
Sue Hum
6 Making Meaning in "School Science": The Role of Image and Writing n the (Multimodal) Production of "Scientificness"
Gunther Kress
Part III: Resistance
7 What Do Pictures Want (of Women)? Women and the Visual in the Age of Biocybernetics
Catherine Hobbs
8 Far Encounters: Looking Desire
Mieke Bal
9 Blood, Visuality, and the New Multiculturalism
David Palumbo-Liu
Conclusion: Interinanimation
10 The Cyborg's Hand: Care or Control? Interview with Trinh T. Minh-ha
Valentina Vitali
Index
Contributors
Back cover
Fig. 1.1 Vico's Frontispiece, Giambattista Vico, The New Science: Principles of the New Science Concerning the Common Nature of Nations. (3rd ed. 1744. Trans. David Marsh. London: Penguin Books, 1999).
Fig. 1.2: Camera obscura by Athanasius Kircher, The Great Art of Light and Shadow, 1646, as a portable room from which to sketch scenes illuminated upon the blank screens inside (tabula rasa).
Fig. 2.2: A Knowledge Machine
Fig. 2.3: Spectroscope, from J. B. Hearnshaw The Analysis of Starlight. (Cambridge: Cambridge University Press, 1986) 36, 38. Reprinted with permission of Cambridge University Press.
Fig. 2.4: Data/Image Reversibility
Fig. 2.5: X-Ray Emission (NASA Image. 24 Nov 2002 &http://science.nasa.gov/chandra/&). Credit: NASA and Chandra Science Center.
Fig. 2.6: Crab Nebula (NASA Image. 24 Nov 2002 &http://science.nasa.gov/newhome/headlines/ast28sep99_2.htm&.) Credit: NASA and Chandra Science Center.
Fig. 2.7: Imaged Algorithmic Data (a@a_F_rActAl__a@a_ 2006. &http://newsfractal.free.fr/news4/page1.htm. Philippe de Courcy&. Used by permission.)
Fig. 2.8: Computer Modeled Simulation (Reprinted from Science, V. 269. 8 Sept. 1995, 1384.) Reprinted with permission of Robin T. Tokmakian and Detlef Stammer.
Fig. 3.1. Inequality of the solar apsides. From Copernicus, On the Revolutions, 163.
Fig. 3.2. Retrograde motion of Jupiter. From Galileo, Two Chief World Systems, 343.
Fig. 3.3. Law of uniform accelerated motion. From Galileo, Two New Sciences, 165.
Fig. 3.4. Table of the elements. From Lavoisier, Traité, 135.
Fig. 3.5. Uplifted square masses. From Darwin, Collected Papers, 77.
Fig. 3.6. Dislocated square masses. From Darwin, Collected Papers, 77.
Fig. 3.7. Overthrown crustal masses. From Darwin, Collected Papers, 78.
Fig. 3.8. Pheasant's wing (Reprinted from Charles Darwin. Charles Darwin's Notebooks, 1836-1844: Geology, Transmutation of Species, Metaphysical Enquiries. Ed. Paul H. Barrett, Peter J. Gautrey, Sandra Herbert, David Kohn, Sydney Smith. Ithaca: Cornell UP, 1
Fig. 3.9. Diagram of Divergence of Taxa. From Darwin, Origin of Species¸ end-papers.
Fig. 3.10. Tree of Life (Reprinted from Charles Darwin. Charles Darwin's Notebooks, 1836-1844: Geology, Transmutation of Species, Metaphysical Enquiries. Ed. Paul H. Barrett, Peter J. Gautrey, Sandra Herbert, David Kohn, Sydney Smith. Ithaca: Cornell UP, 198
Fig. 3.11. Fish and bird lineage (Reprinted from Charles Darwin. Charles Darwin's Notebooks, 1836-1844: Geology, Transmutation of Species, Metaphysical Enquiries. Ed. Paul H. Barrett, Peter J. Gautrey, Sandra Herbert, David Kohn, Sydney Smith. Ithaca: Cornel
Fig. 3.12. Diversity Diagram (Reprinted from Charles Darwin. Charles Darwin's Notebooks, 1836-1844: Geology, Transmutation of Species, Metaphysical Enquiries. Ed. Paul H. Barrett, Peter J. Gautrey, Sandra Herbert, David Kohn, Sydney Smith. Ithaca: Cornell UP
Fig. 3.13. Descent in absence of natural selection (Reprinted from Charles Darwin. Charles Darwin's Natural Selection: Being the Second Part of his Big Species Book written from 1856 to 1858. Ed R. C. Stauffer. London: Cambridge UP, 1975, 237.) . Used with p
Fig. 3.14. Descent in absence of natural selection (Reprinted from Charles Darwin. Charles Darwin's Natural Selection: Being the Second Part of his Big Species Book written from 1856 to 1858. Ed R. C. Stauffer. London: Cambridge UP, 1975, 237.) . Used with p
Fig. 3.15. Evolutionary distance as a consequence of divergence (Reprinted from Charles Darwin. Charles Darwin's Natural Selection: Being the Second Part of his Big Species Book written from 1856 to 1858. Ed R. C. Stauffer. London: Cambridge UP, 1975, 237.)
Fig. 3.16. Extinction (Reprinted from Charles Darwin. Charles Darwin's Natural Selection: Being the Second Part of his Big Species Book written from 1856 to 1858. Ed R. C. Stauffer. London: Cambridge UP, 1975, 237.) . Used with permission of Cambridge Univer
Fig. 3.17. Germ-track of Rhabditis nigrovenosa. From Weismann, The Germ-Plasm, 196.
Fig. 3.18. E. B. Wilson's view of Weismann's theory of inheritance. From Wilson, The Cell in Development and Inheritance, 13.
Fig. 3.19. J. Maynard Smith's view of the central dogma of molecular genetics, from John Maynard Smith. The Theory of Evolution (2nd ed., London: Penguin, 1965) 67. Reproduced by permission of Penguin Books Ltd.
Fig. 4.1. Single-point linear perspective, as diagrammed in a picture plane.
Fig. 4.2: The Lacanian field of vision, Jacques Lacan. The Four Fundamental Concepts of Psycho-Analysis (Trans. Alan Sheridan. New York: W. W. Norton & Co., 1973) 91. Used by permission of W. W. Norton & Company, Inc.
Fig. 6.1. First Student Example
Fig. 6.2. Second Student Example
Fig. 7.1. DNA strand. Copernicus Project. 2004. &http://www.copernicusproject.ucr.edu& Used by permission.
Fig. 7.3. Damien Hurst [sic, Schaefer's spelling]. Gynecological table (Photo by John Schaefer). Used with permission.
Fig. 7.4. Dolly (Photo by Associated Press). Used with permission. (AP Photo/Paul Clements) (APA 1686633).
Fig. 7.5. Joan Truckenbrod, "Thresholding" (Used with permission.)
Fig. 7.6. Gunther von Hagens. Bodyworlds Exhibit (Photo by CNN: used with permission.)
Fig. 7.7. The Dream of Perfectability (Photo by James Miles: used with permission.)
Fig. 9.1. Aerial view of crime scene (Courtesy of Warner Brothers Studio.)
Fig. 9.2. Hero figure (Courtesy of Warner Brothers Studio.)
Fig. 9.3. McCaleb's check (Courtesy of Warner Brothers Studio.)
Fig. 9.4. First Meeting (Courtesy of Warner Brothers Studio.)
Fig. 9.5. McCaleb shooting (Courtesy of Warner Brothers Studio.)
Fig. 9.6. Buddy Noone. (Courtesy of Warner Brothers Studio.)
Fig. 9.7. Buddy's death (Courtesy of Warner Brothers Studio.)
Fig. 9.9. View of Boat. (Courtesy of Warner Brothers Studio.)

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