Music, Piety, and Propaganda

Table of Contents Acknowledgments Abbreviations for Source Locations I. Sound, Space, and Confession in Counter-Reformation Bavaria Historical soundscapes Sound, space, and place Identity, discipline, and confessionalization The soundscapes of Counter-Reformation Bavaria The structure and scope of the book II. Sound and the Spaces of Worship Public churches and the experience of liturgical space Congregational song St. Michael in Munich, the Jesuits, and Counter-Reformation worship Cathedral, Collegiate, and Parish churches in the age of Tridentine reform The cathedral of Freising Unsere Liebe Frau in Munich St. Peter in Munich Liturgy in the religious orders Courtly spaces for liturgy: the Bavarian court chapel The court chapel of St. George and liturgical music in the sixteenth century The new court chapel of Mary of the Immaculate Conception and liturgical music under Maximilian I III. Sound and Spaces of Devotion Devotional polyphony for cultivated spaces Monastic devotion Confraternities and congregations The Marian Congregations Marian, Eucharistic, and other confraternities Corporate devotional services and gatherings Funerals and burials Salve services Seasonal devotions for Christmas and Lent Supplications and Celebrations Song and the soundscape IV. Sound and Confession in the Civic Sphere Bells and the urban soundscape Regulating the sounds of profane life Song in the public sphere Sound in public religious spectacles V. Music, Sound, and Processional Culture Corpus Christi processions The Corpus Christi procession in Munich Good Friday processions Processions of supplication and triumph VI. Sound, Pilgrimage, and the Spiritual Geography of Counter-Reformation Bavaria Pilgrimage in the Reformation and Counter-Reformation The music of pilgrimage: songs and litanies Bavarian pilgrimage songs The litany in Bavarian pilgrimage Sound in the practice of pilgrimage Departure En route and upon arrival A pilgrimage to St. Benno in Munich Bibliography Index