An Anthropology of Contemporary Art

List of Illustrations Contributors Acknowledgments Notes on Texts Introduction (Paul Van der Grijp and Thomas Fillitz) PART 1. PICTURE AND MEDIUM1.1. The Making of Images (Philippe Descola, College de France, France)1.2. To Swallow or to Get Swallowed, This is the Question: On Viewing, Viewers and Frames in the Context of 'New' Images (Paolo S. H. Favero, University of Antwerp, Belgium) PART 2. WORLD ART STUDIES AND GLOBAL ART2.1. The Design of Pictorial Ontologies: From Unstitched Imaginaries to Stitched Images (Leyla Belkaid-Neri, Parsons Paris, France) 2.2. How Global Art Came to Istanbul: The Context of the Istanbul Bienal (Danila Mayer, St. Poelten University of Applied Sciences, Austria)2.3. Concepts of 'Art World' and the Particularity of the Biennale of Dakar (Thomas Fillitz, University of Vienna, Austria) PART 3. ART MARKETS, MAECENAS AND COLLECTORS3.1. Contemporary Art in a Renaissance Setting: The Local Art System in Florence, Italy (Stuart Plattner, USA)3.2. Brazil's Booming Art Market: Calculations, Images, and the Promotionof a Market of Contemporary Art(Dayana Zdebsky de Cordova, Universidade Federal de Sao Carlos, Brazil)3.3.Awkward Art and Difficult Heritage: Nazi Collectors and Postcolonial Archives (Jonas Tinius, Humboldt-Universitaet zu Berlin, Germany)3.4. Collecting Art in Asia and the Pacific (Paul Van der Grijp, Institut d'Asie Orientale, France) PART 4. PARTICIPATORY ART AND COLLABORATION4.1. Trespassing Borders: Encounters and Resistances in Performance Art (Alicja Khatchikian, University of Vienna, Austria) 4.2. Contemporary Art in the Global South: Occupation // Participation // Knowledge (Alex Flynn, Durham University, UK)4.3. The Idle Goddess: Notes about Post-Relational Anthropology and Art (Roger Sansi University of Barcelona, Spain) INDEX