Neverending Stories

FrontMatter, pg. i
CONTENTS, pg. ix
LIST OF CONTRIBUTORS, pg. xi
Introduction, pg. 1
ONE. Between History and Fiction: On Dorrit Cohn's Poetics of Prose, pg. 17
TWO. Fictionality in Historiography and the Novel, pg. 29
THREE. Fictionality, Historicity, and Textual Authority: Pater, Woolf, Hildesheimer, pg. 45
FOUR. Mocking a Mock-Biography: Steven Millhauser's Edwin Mullhouse and Thomas Mann's Doctor Faustus, pg. 62
FIVE. Habsburg Letters: The Disciplinary Dynamics of Epistolary Narrative in the Correspondence of Maria Theresa and Marie Antoinette, pg. 70
SIX. Authenticity as Mask: Wolfgang Hildesheimer's Marbot, pg. 87
SEVEN. Interpretive Strategies, Interior Monologues, pg. 101
EIGHT. Consonant and Dissonant Closure in Death in Venice and The Dead, pg. 112
NINE. Identity by Metaphors: A Portrait of the Artist and Tonio Kröger, pg. 124
TEN. Patterns of Justification in Young Törless, pg. 138
ELEVEN. Crossing the Gender Wall: Narrative Strategies in GDR Fictions of Sexual Metamorphosis, pg. 163
TWELVE. Feminist Intertextuality and the Laugh of the Mother: Leonora Carrington's Hearing Trumpet, pg. 179
THIRTEEN. Telling Differences: Parents vs. Children in "The Juniper Tree", pg. 199
FOURTEEN. No No Nana: The Novel as Foreplay, pg. 216
FIFTEEN. Contingency, pg. 237
SIXTEEN. A Narratological Exchange, pg. 258
INDEX, pg. 267