The Lives of Lucian Freud: FAME 1968 - 2011

Name: The Lives of Lucian Freud: FAME 1968 - 2011 | FAME 1968 - 2011
Brand: Bloomsbury Publishing PLC
Price: 14.49 EUR
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FAME 1968 - 2011

William Feaver(Autor*in)

Bloomsbury Publishing PLC

1. Auflage

Erschienen am 3. September 2020

592 Seiten

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978-1-5266-0354-8 (ISBN)

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Inhalt

Cover
The Lives of Lucian Freud
Half Title
Series
Title
Copyright
Dedication
Contents
Preface
PART I JACQUETTA ELIOT, THE DEATH OF ERNST FREUD, LEAVING THE MARLBOROUGH FOR JAMES KIRKMAN 1968-81
1 'The point is the forehead'
2 'I cut such a lot down then'
3 'Pictures haven't got to do with reason'
4 'The portraits are all personal and the nudes especially demand it'
5 'I don't use things unless they are of use to me'
6 'Things never look as bad as they do under a skylight'
7 'I don't want a painting to appear as a device of some sort'
PART II THE QUEST FOR SITTERS, BETTING, ETCHING, THE DEATH OF LUCIE FREUD 1981-9
8 'I don't think paintings have come about emotionally'
9 'The one thing more important than the person in the painting is the picture'
10 'It was quite an urgent situation'
11 'Such an intimate grandeur'
12 'I gave £5,000, a hugely handsome sum, to get them back'
13 'It was a direct jump from paintings to etchings'
14 'I want portraiture which portrays them, not here's another of mine'
15 'What do I ask of a painting? I ask it to astonish, disturb, seduce, convince'
16 'My world is fairly floorboardish'
17 'In a conspiratorial way she kept all my drawings'
PART III PAINTING LEIGH BOWERY, LEAVING JAMES KIRKMAN, FINDING WILLIAM ACQUAVELLA 1990-7
18 'Nothing tentative'
19 'Shows I do are punctuations'
20 'Trying to make something that's never been seen before'
21 'I can never say that it's finished'
22 'Britain had taken me in'
23 'After a certain point the picture takes over'
PART IV TATE RETROSPECTIVE AND CONSTABLE IN PARIS 1997-2003
24 'Shrivel up and droop down'
25 'I don't want paintings to be "readable" but there are things going on in the room'
26 'I nearly always start twice'
27 'Better plain naked'
28 'One essay, no adjectives'
29 'Tells you everything'
30 'Very doomish'
PART V THE PAINTER SURPRISED, FINAL YEARS 2003-11
31 'Trying to do what I can't do'
32 'It's a stimulating thought that this may be my last picture'
33 'The way life goes'
34 'I don't want to slow down in this late evening of my days'
35 'I'm not an object'
Afterword
Notes
Bibliography
Acknowledgements
Picture Credits
Index

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