The Cinema of Cecilia Bartolome

Introduction: feminism and Francoism
1 Film School shorts: La noche del doctor Valdes / Doctor Valdes's Night (1964) and Carmen de Carabenchel / Carmen from Carabenchel (1965)
2 Feminism and Francoism, Margarita y el lobo / Margarita and the Wolf (1969).
3 The un-filmed scripts: Que tal Margarita... pero bien / What's Up Margarita...? Not Bad (1974) and La linda Casilda / The Beautiful Casilda (1976).
4 Putting Barbara into !Vamonos, Barbara! / Barbara, Let's Go! (Bartolome 1978): Girlhood studies and 'Spain's first feminist film'
5 Filming between the jaws of the wolf: documentary and denunciation in the diptych Despues de... primera parte: No se os puede dejar solos / Afterwards... Part One: You Can't Be Left Alone and Despues de... segunda parte: Atado y bien atado / Afterwards...: Part Two: All Tied Down (co-directed with Jose Juan Bartolome 1983).
6 'Es que no sabeis mirar' (It's that you don't know how to look): colony and memory in Lejos de Africa / Far from Africa (1995).
7 The Admiral and the Alcantaras: political biopic meets popular soap in "Especial Carrero Blanco: El comienzo del fin" / "Carrero Blanco Special: The Beginning of the End", Cuentame como paso / Tell Me How It Happened (various authors 2005).
Conclusion: Cecilia Bartolome and the incomplete history of Spanish cinema
Filmography
Bibliography
Appendix: Cecilia Bartolome interview, Sally Faulkner and Nuria Triana Toribio, 2022. Translated by Mar Diestro-Dopido.
Index -- .