A Soviet Credo: Shostakovich's Fourth Symphony

Rezensionen / Stimmen

'...Musical examples are extensive and the modified Schenker graphs useful...The bibliography and index are excellent... Recommended.' Choice '... adds to the still scarce body of knowledge about this composition... a valuable historical-aesthetic analysis.' Tempo 'Pauline Fairclough's study tackles head-on the work's analytical and hermeneutic challenges and offers a stimulating [...] guide to the Fourth Symphony's complexities... a useful model for historically informed writing about Shostakovich and his music.' Notes '... extremely detailed analysis of the four movements of the Fouth Symphony... the overall impressions conveyed by the book being its thought-provoking nature and the vivid depiction of the intellectual, cultural and political embroglio surrounding Shostakovich during the crucial years of the mid-1930s.' Fontis Artis Musicae '... Fairclough goes much into the detail of the music of the symphony... This extended second [...] part of the book, written with meticulous accuracy, should be recommended to any Shostakovich scholar, any student in the field of Russian music and everybody interested in the development of the twentieth-century symphony in general... Fairclough's book is full of well-argued ideas and it is written with considerable analytical skills.' Slavonic and East European Review 'Pauline Fairclough's study of Shostakovich's Fourth Symphony is a most welcome and necessary addition to Shostakovich scholarship, and it fills a surprising gap in research on a composition that not only occupied a place of enormous personal importance to its composer, but remained perhaps his most ambitious work. ... an impressive achievement in Shostakovich scholarship. Her book will surely remain a key text for many years to come and is be recommended to all who wish to probe deeper into this crucially important work.' Music and Letters