History of Photography

Name: History of Photography
Brand: Columbia University Press
Price: 173.99 EUR
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Josef Maria Eder(Autor*in)

Columbia University Press

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Erschienen am 6. Mai 2019

862 Seiten

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Inhalt

Intro
Preface to the Third Edition (1905)
Preface to the Fourth Edition (1931)
Translator's Preface
Contents
I. From Aristotle (Fourth Century before Christ) to the Alchemists
II. Influence of Light on Purple Dyeing by the Ancients
III. Thought and Teaching of the Alchemists
IV. Experiments with Nature-Printing in the Sixteenth and Seventeenth Centuries
V. The History of the Camera Obscura
VI. Stereoscopic (Binocular) Vision
VII. The Invention of Projection Apparatus in the Seventeenth Century
VII. (Rewritten). The Invention of Projection Apparatus
VIII. Studies of Photochemistry by Investigators of the Seventeenth Century up to Bestuscheff's Discovery in 1725 of the Sensitivity of Iron Salts to the Light and the Retrogression of Processes in Darkness
IX. Phenomena of Phosphorescence: Luminous Stone
Discovery of the Light-Sensitivity of Silver Salt
the First Photographic Printing Process by Schulze, 1727
X. The Life of Johann Heinrich Schulze
XI. Photochemical Research in the Eighteenth Century until Beccarius and Bonzius (1757), Together with a Digression on the Knowledge at That Time of the Instability of Colors
XII. From "Giphantie" (1761) to Scheele (1777)
XIII. From Priestley (1777) to Senebier (1782)
Together with an Excursion into the Application Made in Those Days of Light-Sensitive Compounds to Magic Arts
XIV. From Scopoli (1783) to Rumford (1798)
XV. From Vauquelin (1798) to Davy (1802)
XVI. The Studies of Sage (1803), Link, and Heinrich on the Nature of Light (1804-8) up to Gay-Lussac and Thenard (1810)
XVII. From the Discovery of Photography in Natural Colors by Seebeck (1810) to the Publication of Daguerre's Process (1839)
XVIII. Special Investigations into the Action of Light on Dyestuffs and Organic Compounds (1824-35)
XIX. Joseph Nicephore Niepce
XX. Relationship between Niepce and Daguerre
XXI. The Life of Daguerre
XXII. The Agreement between Nicephore Niepce and Daguerre (1829)
XXIII. Daguerre Discovers the Light-Sensitivity of Iodized Silvered Plates
XXIV. Joseph Nicephore Niépce's Death in 1833
His Son Isidore Takes His Father's Place in the Contract of 1829 with Daguerre
Daguerre Discovers Development with Mercury Vapors
XXV. Daguerre and Isidore Niépce Attempt Unsuccessfully in 1837 to Sell Daguerreotypy by Subscription
They Offer Their Invention to the Government
Arago's Report to the Academy on January 7, 1839
Agreement Arrived at June 14, 1839
XXVI. Bill for the Purchase of the Invention of Daguerreotypy by the French Government, Which Donates It to the World at Large
XXVII. Daguerre's Activities after the Publication of Daguerreotypy
Report on Daguerreotypy to the Emperor of Austria
XXVIII. Success of Daguerreotypy and Its Commercial Use
the First Daguerreotype Cameras, 1839
XXIX. Commercialization of Daguerreotypy
Description of the Process
XXX. First Use of the Word "Photography", March 14, 1839
XXXI. Scientific Investigation of the Chemico-physical Basis of Photography
XXXII. The First Daguerreotype Portraits
Exposures Reduced to Seconds
XXXIII. The Daguerreotype Process in Practice
XXXIV. Petzval's Portrait Lens and the Orthoscope
XXXV. Daguerreotypy as a Profession, 1840-60
XXXVI. Colored Daguerreotypes
XXXVII. Invention of Photography with Negatives and Positives on Paper and Its Practical Development by Talbot
XXXVIII. Reaction of the Invention of the Daguerreotype, the Talbotype, and the Earlier Photomechanical Processes on the Modern Processes of the Graphic Arts
XXXIX. Bayard's Direct Paper Positives in the Camera and Analogous Methods
XL. Reflectography (Breyerotypy) by Albrecht Breyer, 1839
XLI. Photographic Negatives on Glass (Niepceotypes)
XLII. The Wet Collodion Process
XLIII. Beginning of Photography as an Art by Daguerreotypy, Calotypy, and the Wet Collodion Process
XLIV. Portable Darkrooms
Theory and Practice of the Wet Collodion Process
XLV. Direct Collodion Positives in the Camera
XLVI. Chemical Sensitizers for Silver Halides
XLVII. The Dry Collodion Process and the Invention of Alkaline Development
XLVIII. Invention of Collodion Emulsion
XLIX. Invention of Collodion Layers for the Production of Stripping Films on Spools
L. Stereoscopic Photography
LI. Microphotography
LII. Photomicrography and Projection
LIII. The Solar Camera
LIV. Balloon Photography
LV. Photogrammetry
LVI. Modern Photographic Optics
LVII. Further Development of Photochemistry and Photographic Photometry
LVIII. Photoelectric Properties of Selenium
LIX. Gelatine Silver Bromide
LX. Gradual Increase of Sensitivity of Photographic Processes from 1827 until the Present Time
LXI. Gelatine Silver Bromide Paper for Prints and Enlargements
LXII. The Discovery of Gelatino-Silver Chloride for Transparencies and Positive Paper Images by Chemical Development (1881)
Artificial Light Papers
LXIII. Calculation of Exposure, Determination of Photographic Speeds, Sensitometry, and the Laws Governing Density
LXIV. Discovery of Color-Sensitizing of Photographic Emulsions in 1873
Professor H. W. Vogel Discovers Optical Sensitizing
LXV. Discovery of Desensitizing
LXVI. Film Photography and the Rapid Growth of Amateur Photography
XXVII. The Stroboscope and Other Early Devices Showing the Illusion of Movement in Pictures
LXVIII. Eadweard Muybridge's Motion Picture Photography
LXIX. Photographic Analysis of Movement by Janssen and Marey
LXX. Ottomar Anschiitz Records Movement by Instantaneous Photography and Invents the Electrotachyscope (1887)
LXXI. Development of Cinematography
LXXII. Photographing Projectiles in Flight and Air Eddies
LXXIII. Artificial Light in Photography
LXXIV. Printing-out Processes with Silver Salts
LXXV. Mordant-Dye Images on a Silver Base
Uvachromy and Allied Processes
LXXVI. Printing Methods with Iron Salts
Photographic Tracing Method (Blue Prints, etc.)
Platinotype
LXXVII. Fotol Printing (1905) and Printing Photographic Tracings [Blueprints, Brown Prints, and Others] on Lithographic Presses (1909)
LXXVIII. Photographic Printing Methods with Light-Sensitive Diazo Compounds: Diazotypy, Primuline Process, Ozalid Paper
LXXIX. Discovery of the Photographic Processes with Chromates by Ponton (1839), and of the Light-Sensitivity of Chromated Gelatine by Talbot (1852)
LXXX. Gum Pigment Method
LXXXI. Pigment Images by Contact
Marion (1873)
Manly's Ozotype (1898)
Ozobrome Process (1905)
Carbro Prints
LXXXII. Oil Printing
LXXXIII. Bromoil Process
LXXXIV. Photoceramics, Enamel Pictures with Collodion, and Dusting-on Methods
LXXXV. Electrotypes
Auer's Nature Prints
LXXXVI. Electrotypes and Galvanic Etchings
LXXXVII. Photogravure with Etched or Galvanically Treated Daguerreotype Plates
LXXXVIII. Invention of Photoelectrotypes for Copperplate Printing and Typographic Reproduction
LXXXIX. Production of Heliogravures by Means of the Asphaltum Method
Beginning of Halftone Steel Etching
XC. Heliographie Steel and Copper Etching with the Chromated Glue Process
Klic's Photogravure
Printing with the Doctor
Rotogravure
XCI. Photolithography
Zincography
Algraphy
XCII. Collotype
XCIII. Photographic Etching on Metal for Typographic Printing, Zincography, Copper Etching, and the Halftone Process
XCIV. Three-Color Photography
XCV. Photochromy
Color Photography with Silver Photochloride
Lippmann's Interference Method and "Photographie Intégrale"
Kodacolor
Bleaching-out Process
XCVI. Photographic Technical Journals, Societies, and Educational Institutions
XCVII. Supplement to the Chapters on Daguerreotypy and Cinematography
Biography of Josef Maria Eder, by Hinricus Lüppo-Cramer
Notes
Index

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