'An utterly delightful book to read, Dreyer's English will stand among the classics on how to use the English language properly.' ELIZABETH STROUT
'A complete joy. For those who care about words - and for those who don't - Dreyer's English is the book we have all been waiting for. Wise, funny, no-nonsense, stylish and brilliantly practical.' RACHEL JOYCE
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An indispensable, New York Times-bestselling guide to the craft of writing from Random House's long-time copy chief and one of Twitter's leading language gurus.
We all write, all the time: books, blogs, tweets, emails, emails, emails - and we all want to write better. Benjamin Dreyer is here to help.
As copy chief of Random House, Dreyer has upheld the standards of the legendary publisher for more than two decades. He is beloved by authors and editors alike - not to mention his followers on social media - for playfully, brilliantly deconstructing the English language. Dreyer's English is the distillation of everything he has learned from copyediting thousands of books, the perfect guide not just for writers but for everyone who wants to put their best prose foot forward.
Both authoritative and amusing, Dreyer's English offers lessons on punctuation, from the underloved semicolon to the enigmatic en-dash; the rules and non-rules of grammar, including why it's OK to begin a sentence with 'And' or 'But' and to confidently split an infinitive; and why it's best to avoid the doldrums of the Wan Intensifiers and Throat Clearers, including 'very', 'rather', 'of course', and the dreaded 'actually'.
And yes: 'Only godless savages eschew the Oxford comma.'
Stuffed with advice, insider wisdom, and fun facts, this book will prove to be invaluable to everyone who wants to shore up their writing skills, mandatory for people who spend their time editing and shaping other people's prose, and - perhaps best of all - an utter treat for anyone who simply revels in language.
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This book is written in British English.
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'Benjamin Dreyer's brilliant, pithy, incandescently intelligent book is to contemporary writing what Geoffrey Chaucer's poetry was to medieval English: a gift that broadens and deepens the art and the science of literature' JON MEACHAM
'A fascinating guide to grammatical 'rights' and 'wrongs' - practical and useful' SEBASTIAN FAULKS, SUNDAY TIMES
'A pleasing read for anyone who has an appreciation for the written word.' TIME MAGAZINE, BEST 10 NON-FICTION BOOKS OF 2019
'Witty and piquant [...] full of jokes - and equally full of deliciously deprecating footnotes.' JEWISH CHRONICLE
'Playful, smart, self-conscious, and personal . . . One encounters wisdom and good sense on nearly every page of Dreyer's English.' WALL STREET JOURNAL
'A mind-blower--sure to jumpstart any writing project, just by exposing you, the writer, to Dreyer's astonishing level of sentence-awareness.' GEORGE SAUNDERS, author of Lincoln in the Bardo
'Benjamin Dreyer is wise and bitterly experienced and fantastically good company. You should buy his book and read it.' TIMES LITERARY SUPPLEMENT
'Boisterously well written ... I recommend it highly.' INDEPENDENT
'Dreyer promises to reveal "some of the fancy little tricks I've come across or devised that can make even skilled writing better", and does so with accuracy, style, and humour' GUARDIAN
'This work is that rare writing handbook that writers might actually want to read straight through, rather than simply consult.' PUBLISHERS WEEKLY
Rezensionen / Stimmen
An utterly delightful book to read, Dreyer's English will stand among the classics on how to use the English language properly. * Elizabeth Strout * A mind-blower--sure to jumpstart any writing project, just by exposing you, the writer, to Dreyer's astonishing level of sentence-awareness. * George Saunders * On every page, the serious stuff is spiced with his distinctive humour... This is what to look for in a language book: authority without arrogance. There is always more to learn. * The Economist * Brilliant * Guardian * The joy of Dreyer's English is that it's written by an editor who so clearly loves words, has a sense of humour and prizes clarity over nit-picking * Financial Times * Meet the guardian of grammar who wants to help you be a better writer. Benjamin Dreyer sees language the way an epicure sees food. And he finds sloppiness everywhere he looks. * New York Times * An informative and entertaining handbook on how to write clearer English. It's pithy, witty and a near perfect example of the kind of writing it advocates. * Sting * Playful, smart, self-conscious, and personal . . . One encounters wisdom and good sense on nearly every page of Dreyer's English. * Wall Street Journal * It is Benjamin Dreyer's intense love for the English language and his passion for the subject that make the experience of reading Dreyer's English such a pleasure, almost regardless of the invaluable and practical purpose his book serves in such dark and confusing times for grammar and meaning. * Ayelet Waldman & Michael Chabon * Benjamin Dreyer's brilliant, pithy, incandescently intelligent book is to contemporary writing what Geoffrey Chaucer's poetry was to medieval English: a gift that broadens and deepens the art and the science of literature by illustrating that convention should not stand in the way of creativity, so long as that creativity is expressed with clarity and with conviction. * Jon Meacham *
Sprache
Verlagsort
Verlagsgruppe
Dateigröße
ISBN-13
978-1-4735-7237-9 (9781473572379)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Benjamin Dreyer is vice president, executive managing editor and copy chief, of Random House. He began his publishing career as a freelance proofreader and copy editor. In 1993, he became a production editor at Random House, overseeing books by writers including Michael Chabon, Edmund Morris, Suzan-Lori Parks, Michael Pollan, Peter Straub, and Calvin Trillin. He has copyedited books by authors including E. L. Doctorow, David Ebershoff, Frank Rich, and Elizabeth Strout, as well as Let Me Tell You, a volume of previously uncollected work by Shirley Jackson. A graduate of Northwestern University, he lives in New York City.
