I - EARLY RECOLLECTIONS

Extraction-"H. B."-Four Remarkable Brothers-My Mother's Family Tree-An Unrecognized Genius-My First Knockout-Thackeray-The Fenians-Early Reading-My First Story.

I WAS born on May 22, 1859, at Picardy Place, Edinburgh, so named because in old days a colony of French Huguenots had settled there. At the time of their coming it was a village outside the City walls, but now it is at the end of Queen Street, abutting upon Leith Walk. When last I visited it, it seemed to have degenerated, but at that time the flats were of good repute.

My father was the youngest son of John Doyle, who under the nom de crayon of "H. B." made a great reputation in London from about 1825 to 1850. He came from Dublin about the year 1815 and may be said to be the father of polite caricature, for in the old days satire took the brutal shape of making the object grotesque in features and figure. Gilray and Rowlandson had no other idea. My grandfather was a gentleman, drawing gentlemen for gentlemen, and the satire lay in the wit of the picture and not in the mis-drawing of faces. This was a new idea, but it has been followed by most caricaturists since and so has become familiar. There were no comic papers in those days, and the weekly cartoon of "H. B." was lithographed and distributed. He exerted, I am told, quite an influence upon politics, and was on terms of intimacy with many of the leading men of the day. I can remember him in his old age, a very handsome and dignified man with features of the strong Anglo-Irish, Duke of Wellington stamp. He died in 1868.

My grandfather was left a widower with a numerous family, of which four boys and one girl survived. Each of the boys made a name for himself, for all inherited the artistic powers of their father. The elder, James Doyle, wrote "The Chronicles of England," illustrated with coloured pictures by himself-examples of colour-printing which beat any subsequent work that I have ever seen. He also spent thirteen years in doing "The Official Baronage of England," a wonderful monument of industry and learning. Another brother was Henry Doyle, a great judge of old paintings, and in later years the manager of the National Gallery in Dublin, where he earned his C.B. The third son was Richard Doyle, whose whimsical humour made him famous in "Punch," the cover of which with its dancing elves is still so familiar an object. Finally came Charles Doyle, my father.

The Doyle family seem to have been fairly well-to-do, thanks to my grandfather's talents. They lived in London in Cambridge Terrace. A sketch of their family life is given in "Dicky Doyle's Diary." They lived up to their income, however, and it became necessary to find places for the boys. When my father was only nineteen a seat was offered him in the Government Office of Works in Edinburgh, whither he went. There he spent his working life, and thus it came about that I, an Irishman by extraction, was born in the Scottish capital.

The Doyles, Anglo-Norman in origin, were strong Roman Catholics. The original Doyle, or D'Oil, was a cadet-branch of the Staffordshire Doyles, which has produced Sir Francis Hastings Doyle and many other distinguished men. This cadet shared in the invasion of Ireland and was granted estates in County Wexford, where a great clan rose of dependants, illegitimate children and others, all taking the feudal lord's name, just as the de Burghs founded the clan of Burke. We can only claim to be the main stem by virtue of community of character and appearance with the English Doyles and the unbroken use of the same crest and coat- of-arms.

My forbears, like most old Irish families in the south, kept to the old faith at the Reformation and fell victims to the penal laws in consequence. These became so crushing upon landed gentry that my great-grandfather was driven from his estate and became a silk-mercer in Dublin, where "H. B." was born. This family record was curiously confirmed by Monsignor Barry Doyle, destined, I think, for the highest honours of the Roman Church, who traces back to the younger brother of my great-grandfather.

I trust the reader will indulge me in my excursion into these family matters, which are of vital interest to the family, but must be tedious to the outsider. As I am on the subject, I wish to say a word upon my mother's family, the more so as she was great on archaeology, and had, with the help of Sir Arthur Vicars, Ulster King of Arms, and himself a relative, worked out her descent for more than five hundred years, and so composed a family tree which lies before me as I write and on which many of the great ones of the earth have roosted.

Her father was a young doctor of Trinity College, William Foley, who died young and left his family in comparative poverty. He had married one Katherine Pack, whose death-bed-or rather the white waxen thing which lay upon that bed-is the very earliest recollection of my life. Her near relative-uncle, I think-was Sir Denis Pack, who led the Scottish brigade at Waterloo. The Packs were a fighting family, as was but right since they were descended in a straight line from a major in Cromwell's army who settled in Ireland. One of them, Anthony Pack, had part of his head carried off at the same battle, so I fear it is part of our family tradition that we lose our heads in action. His brain was covered over by a silver plate and he lived for many years, subject only to very bad fits of temper, which some of us have had with less excuse.

But the real romance of the family lies in the fact that about the middle of the seventeenth century the Reverend Richard Pack, who was head of Kilkenny College, married Mary Percy, who was heir to the Irish branch of the Percys of Northumberland. By this alliance we all connect up (and I have every generation by name, as marked out by my dear mother) with that illustrious line up to three separate marriages with the Plantagenets. One has, therefore, some strange strains in one's blood which are noble in origin and, one can but hope, are noble in tendency.

My Mother, at 17. Drawn by Richard Doyle, July 1854.

But all this romance of ancestry did not interfere with the fact that when Katherine Pack, the Irish gentlewoman, came in her widowhood to Edinburgh, she was very poor. I have never been clear why it was Edinburgh for which she made. Having taken a flat she let it be known that a paying-guest would be welcome. Just at this time, 1850 or thereabouts, Charles Doyle was sent from London with a recommendation to the priests that they should guard his young morals and budding faith. How could they do this better than by finding him quarters with a wellborn and orthodox widow? Thus it came about that two separate lines of Irish wanderers came together under one roof.

I have a little bundle of my father's letters written in those days, full of appreciation of the kindness which he met with and full, also, of interesting observations on that Scottish society, rough, hard-drinking and kindly, into which he had been precipitated at a dangerously early age, especially for one with his artistic temperament. He had some fine religious instincts, but his environment was a difficult one. In the household was a bright-eyed, very intelligent younger daughter, Mary, who presently went off to France and returned as a very cultivated young woman. The romance is easily understood, and so Charles Doyle in the year 1855 married Mary Foley, my mother, the young couple still residing with my grandmother.

Their means were limited, for his salary as a Civil Servant was not more than about £240. This he supplemented by his drawings. Thus matters remained for practically all his life, for he was quite unambitious and no great promotion ever came his way. His painting was done spasmodically and the family did not always reap the benefit, for Edinburgh is full of watercolours which he had given away. It is one of my unfulfilled schemes to collect as many as possible and to have a Charles Doyle exhibition in London, for the critics would be surprised to find what a great and original artist he was-far the greatest, in my opinion, of the family. His brush was concerned not only with fairies and delicate themes of the kind, but with wild and fearsome subjects, so that his work had a very peculiar style of its own, mitigated by great natural humour. He was more terrible than Blake and less morbid than Wiertz. His originality is best shown by the fact that one hardly knows with whom to compare him. In prosaic Scotland, however, he excited wonder rather than admiration, and he was only known in the larger world of London by pen and ink book-illustrations which were not his best mode of expression. The prosaic outcome was that including all his earnings my mother could never have averaged more than £300 a year on which to educate a large family. We lived in the hardy and bracing atmosphere of poverty and we each in turn did our best to help those who were younger than ourselves. My noble sister Annette, who died just as the sunshine of better days came into our lives, went out at a very early age as a governess to Portugal and sent all her salary home. My younger sisters, Lottie and Connie, both did the same thing; and I helped as I could. But it was still my dear mother who bore the long, sordid strain. Often I said to her, "When you are old, Mammie, you shall have a velvet dress and gold glasses and sit in comfort by the fire." Thank God, it so came to pass. My father, I fear, was of little help to her, for his thoughts were always in the clouds and he had no appreciation...