Folk Horror on Film

Foreword by John Das
Introduction: what makes the folk horrific? - Louis Bayman and K.J. Donnelly
Part I: Debating The Wicker Man (1973)
1 The context of The Wicker Man - Ronald Hutton
2 A deeply religious people: The Wicker Man, contemporary paganism, and Dracula reversed- Laurel Zwissler
3 Folk horror: a discursive approach, with application to Robin Hardy's The Wicker Man (1973) and Neil Jordan's The Company of Wolves (1984) - Mikel J. Koven
Part II: Return of the British repressed
4 The folk of folk horror - Derek Johnston
5 Doomwatch: sacrifice zones and folk horror - Dawn Keetley
6 My ancestors died here: Requiem for a Village and the rural English horror of modernity and socio-cultural change - Paul Newland
7 Outsider history, or outside of history - K. J. Donnelly
8 Anglo creep and Celtic resistance in Apostle - Beth Carroll
9 Women's folk horror in Britain: history, industry, style - Amy Harris
Part III: Folk horror's cultural landscapes
10 Ritualistic rhythms: exploring the sensory effect of drums in British folk horror cinema - Lyndsay Townsend
11 'Nature came before man': human as subject and object within the folk horror anti-landscape - David Evans-Powell
12 Hieroglyphics: Arthur Machen on screen - Mark Goodall
13 Albion unearthed: social, political and cultural influences on British folk horror, urban wyrd and backwoods cinema - Andy Paciorek
14 'Isn't folk horror all horror?': a wyrd genre - Diane A. Rodgers
Index -- .