Morton Feldman

Rezensionen / Stimmen

The book bears powerful testament to his proposal that in writing about friendships mediated through painting, poetry and music one can derive new insights into that painting, poetry and music. * Tempo * The book bears powerful testament to his proposal that in writing about friendships mediated through painting, poetry and music one can derive new insights into that painting, poetry and music. * Tempo * Dohoney's graceful and affecting meditation on the plexus of Feldman's relationships compellingly surveys Feldman's dedication-and his dedications-to his friends, his love for poetry, painting, and for their makers, and the mourning and melancholy that ultimately tied them together. Feldman's music becomes increasingly concerned, in Dohoney's vivid account, with what survives, what endures, and what can still be heard, even as it ebbs. * Martin Iddon, Professor of Music and Aesthetics, University of Leeds, UK * Dohoney's graceful and affecting meditation on the plexus of Feldman's relationships compellingly surveys Feldman's dedication-and his dedications-to his friends, his love for poetry, painting, and for their makers, and the mourning and melancholy that ultimately tied them together. Feldman's music becomes increasingly concerned, in Dohoney's vivid account, with what survives, what endures, and what can still be heard, even as it ebbs. * Martin Iddon, Professor of Music and Aesthetics, University of Leeds, UK * Ryan Dohoney's book distinctively illuminates and contextualizes Morton Feldman's modernist music. It is an account of Feldman's relationships, in particular, with the poet and art writer Frank O'Hara and the visual artist Philip Guston. Two large themes emerge, friendship and death. This is a new kind of musicology, with much detailed historical research that also finds emotional elements central to understanding the music, an affective account of what Feldman would call his life in art. It puts together the personal and what we have "out there," the music. * Christian Wolff, composer and Jacob H. Strauss 1922 Professor of Music, Emeritus, Dartmouth College, USA * Ryan Dohoney's book distinctively illuminates and contextualizes Morton Feldman's modernist music. It is an account of Feldman's relationships, in particular, with the poet and art writer Frank O'Hara and the visual artist Philip Guston. Two large themes emerge, friendship and death. This is a new kind of musicology, with much detailed historical research that also finds emotional elements central to understanding the music, an affective account of what Feldman would call his life in art. It puts together the personal and what we have "out there," the music. * Christian Wolff, composer and Jacob H. Strauss 1922 Professor of Music, Emeritus, Dartmouth College, USA * Ryan Dohoney's fantastic book on Morton Feldman points to a Copernican turn within studies of the social life of the arts: trapped for decades in the domain of theme and anecdote, friendship here emerges instead as the infrastructure or medium it in fact is. Friendship thus does not "contextualize" Feldman's music from the outside, but rather enables and structures it from within, like the charged gaps between his notes. * Lytle Shaw, Professor of English, New York University, USA * Ryan Dohoney's fantastic book on Morton Feldman points to a Copernican turn within studies of the social life of the arts: trapped for decades in the domain of theme and anecdote, friendship here emerges instead as the infrastructure or medium it in fact is. Friendship thus does not "contextualize" Feldman's music from the outside, but rather enables and structures it from within, like the charged gaps between his notes. * Lytle Shaw, Professor of English, New York University, USA *