The Oxford Handbook of Time in Music

Acknowledgements List of contributors About the Companion Website Introduction Mark Doffman, Toby Young, and Emily Payne Section I: Framing musical time 1 Time in music and philosophy Andrew Bowie 2 Forms of time in nineteeth-century music: Geology, the railway, and the novel Lawrence Kramer 3 Music as time, music as timeless Kristina Knowles 4 Rhythm, time, and presence Anne Danielsen 5 Politicking musical time Chris Stover 6 To be in time: Repetition, temporality, and the musical work Nathan Mercieca 7 Distracted attention, temporal switches, and the consolations of performing Anthony Gritten Section II: Cognition, action and experience 8 Music, evolution, and the experience of time John C. Bispham 9 Timescales and the temporal emergence of musicking Juan M. Loaiza 10 Understanding musical instants Rolf Inge Godøy 11 Cross-modality and embodiment of tempo and timing Renee Timmers 12 The mind is a DJ: Rhythmic entrainment in beatmatching and embodied temporal processing Maria Witek 13 Non-isochronous meter in music from Mali Rainer Polak Section III: Metrics and temporal organisation 14 Towards a cognitively-based quantification of metrical dissonance Mark Gotham 15 Maelzel, the metronome, and the modern mechanics of musical time Alexander E. Bonus 16 Rhythm quantization: Notes on the history of a technocultural practice Landon Morrison 17 11, 12, and 13¿ bar blues: Time and African-American country blues recordings (1925-38) Andrew Bowsher 18 Metrical displacement and group interaction in 'Evidence' by the Thelonious Monk Quartet Ryan D. W. Bruce 19 The politics of musical time in the everyday life of ballet dancers Jonathan Still Section IV: Cultures of time 20 Temporalities of North Indian classical listening: How listeners use music to construct time Chloë Alaghband-Zadeh 21 Timing in palaran: Coordination, control, and excitement in Javanese collaborative vocal accompaniment Jonathan Roberts 22 Here at the bottom of the sky: Negotiating time through phrase, form, and tradition within a New York performance network Nathan C. Bakkum 23 Time and ensemble dynamics in indeterminacy: John Cage's Concert for Piano and Orchestra Emily Payne 24 'Making, not filling time': Time and notation in improvised musical performance Floris Schuiling 25 Musical time in a fast world Samuel Wilson 26 The radical temporality of drum and bass Toby Young Notes Index