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Christian-Islamic encounters through religious arts, architecture, and material culture in the medieval eraThe coexistence of Christianity and Islam in the medieval Mediterranean led to an interchange of knowledge in architecture and material culture that went well beyond religious and geographical boundaries. The use of Islamic objects in Christian contexts, the conversion of churches into mosques, and the mobility of craftsmen are only some manifestations of this process. From crosses found in mosques to European-Christian coins with pseudo-shahada inscriptions, medieval material culture is rich with visual evidence of the two faiths intermingling in both individual objects and monuments. In this volume, thirteen international scholars explore various aspects of pan-Mediterranean Christian-Islamic encounters in material culture and art, from textiles to precious oils, and from metalwork to ceramics, covering most of the Mediterranean, as well as parts of its extended hinterland, from Spain and Italy to Egypt and Georgia. Within this frame, one of the most relevant, yet underexplored lines of investigation is that of the "aesthetic space," the notion that aesthetic pleasure transcends boundaries, paving the way to a cross-religious experience and appreciation. "Indeed, God is beautiful, and He loves beauty," as mentioned in a Hadith narration, a universal cry of visual beauty that resonates with all cultures and civilizations.Contributors:Paschalis Androudis Aristotle University of Thessaloniki, Thessaloniki, GreeceFaruk Bilici Inalco, Paris, FranceMaria Bormpoudaki Hellenic Ministry of Culture and Sports, Piraeus, GreeceSami Luigi De Giosa University of Sharjah, Sharjah, United Arab EmiratesHélène Fragaki University of Augsburg, Augsburg, GermanyHani Hamza Independent scholar, Cairo, EgyptAna Cabrera Lafuente Instituto de Turismo de España (Turespaña/Tourspain), Madrid, Spain Alison Ohta Royal Asiatic Society of Great Britain and Ireland, London, United KingdomRichard Piran McClary University of York, York, United Kingdom Nino Simonishvili Ivane Javakhishvili Tbilisi State University, Tbilisi, GeorgiaNikolaos Vryzidis Aristotle University of Thessaloniki, Thessaloniki, GreeceArielle Winnik Yale University Art Gallery, New Haven, United States
Introduction: The Aesthetic Space of Interreligious Encounter: Microhistorical Case Studies from the Medieval MediterraneanSami Luigi de Giosa and Nikolaos Vryzidis Islamo-Christian Mediterranean Trade and Its Artistic Ramifications 1. From One Edge of the Mediterranean to the Other: Prolegomena on Mamluk and Iberian Ceramics in Venetian Crete Maria Bormpoudaki 2. Reconsidering ?Andalusi? Textiles in Two Christian Contexts: The San Isidoro and Bayonne Silks between Art Historical Myth and Reality Ana Cabrera-Lafuente 3. Balsam Oil of Mattariyya: Mamluk Contribution to Christian Liturgy Hani Hamza 4. Judging a Book by Its Cover: The Contribution of Islamic Bindings to the Look of the European Book Alison Ohta Rituals and Liturgies: Objects, Meaning, and Decoration 5. Counter-propaganda and Talismanic Power: The Conciliar Edict of 1166 from Hagia Sophia to Suleiman's Mausoleum Faruk Bilici and Eleni Fragaki 6. Venetian Cross Fixed on aSeljuk Candleholder: Composite Mediterraneanism at Saint Paul's Monastery, Mount Athos Nikolaos Vryzidis and Paschalis Androudis 7. Inscribing the Christian Body in Life and Death: Tiraz Textiles with Coptic and Greek Inscriptions Arielle Winnik Monumental Legacies 8. Stone and text: Christian Architectural Spolia in Egypt during the Mamluk Period (1250?1517) Sami Luigi de Giosa 9. The Syncretism of Regal Images in Georgia: The Sculpted Program of the Church of Saint John the Baptist of Oshki (963?976) Nino Simonishvili 10. The Use of Muqarnas in the Christian Buildings of Mediaeval Anatolia and Mosul Richard McClary
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