Utopia, Innovation, Tradition

Introduction

Staging And Performing Sounds: A Glance Through The Last Theatrical Work
- Angela Ida De Benedictis, delving into Bruno Maderna's Satyricon: the looking glass world of storytelling, performance interference, and authorship
- Benedetta Zucconi, "in the beginning was the word": the sung text as a unifying element in the composition of Bruno Maderna's Satyricon

Building Sounds: The Composer
- Carlo Ciceri, space in Maderna's last orchestral works
- Pascal Decroupet, the unity of musical practice: Bruno Maderna and his "shaping form" as composer and performer of experimental orchestral music

creating sound: the music beyond/without the stage
- Nicola Scaldaferri, "a walk through a musical garden": compositional paths in Maderna's late works
- Leo Izzo, narrating with sounds: Bruno Maderna's music for radio and film

reinventing sounds: dialogues with music of every epoch and style
- Michele Chiappini, the writing of the interpretation: notes on Bruno Maderna's arrangements
- Benedetta Zucconi, analysis and synthesis in Bruno Maderna's creative process:

Don Giovanni and other Mozart scores
- Leo Izzo, Bruno Maderna and his arrangements

Across Borders: The Conductor And The Interpreter
- Maurizio Romito, "this Bruno looks like Fiorello" Maderna in the U.S.A. (1965-72)
- Anne C. Shreffler, Maderna goes to Tanglewood: the role of American networks in
the origins and reception of Venetian journal and Satyricon

Searching For Roots: The Development Of A Style
- Veniero Rizzardi, Venice to Europe: Bruno Maderna before and after 1948
- Christoph Neidhöfer, "la révolution dans la continuité": the presence of the past in Bruno Maderna's creative process (1948-55)

Staging And Performing Texts: A Glance Through Early Dramaturgical And Vocal Works
- Claudia Vincis, the studi per "il processo" Di Franz Kafka, and their stage sources
- Paolo dal Molin, Maderna and the poets, 1938-48

Chronology of Bruno Maderna's works