Discursive Self in Microblogging

Name: Discursive Self in Microblogging | Speech acts, stories and self-praise
Brand: John Benjamins Publishing Company
Price: 118.99 EUR
Availability: OnlineOnly

Speech acts, stories and self-praise

Daria Dayter(Autor*in)

John Benjamins Publishing Company

1. Auflage

Erschienen am 15. Februar 2016

IX, 244 Seiten

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Inhalt

Intro
Discursive Self in Microblogging
Editorial page
Title page
LCC data
Table of contents
Acknowledgements
Introducing the pragmalinguistic approach to the study of Twitter
1.1. The object of the study
1.2. Preliminary theoretical considerations
1.3. Aims and scope
1.4. The structure of the book
Discursive identity
2.1. Introduction
2.2. Claims about the discursive identity
2.2.1 Identity is constructed in and through talk
2.2.2 Identity construction can be accomplished in dialogic talk through affiliation and disaffiliation with interlocutor(s).
2.2.3 Identity construction is performed by invoking in talk the categories-in-use through the category-bound actions or reports of such actions.
2.2.4 Identity is constructed discursively through speech acts of positioning.
2.2.5 In monologual discourse, storytelling is a key device for identity construction.
2.2.6 In everyday talk, identity is expressed through a succession of fragmentary, low-tellable stories.
2.3. Discursive identity in social media
2.4. Social interaction within the community
2.4.1 Language of the in-group
2.4.2 Pragmatics of the in-group and rapport-building
2.5. Conclusion
Disclosive speech acts
3.1. Introduction
3.2. Self-disclosure in psychology
3.3. Disclosure through complaining
3.3.1 Grammatical and lexical features of complaints
3.3.2 Pragmatic aspects of complaining
3.3.3 Complaining online
3.4. Disclosure through self-praise
3.4.1 Compliments
3.4.2 Compliment responses
3.4.3 Self-praise
3.5. Conclusion
Twitter as a communicative environment
4.1. The controversial status of Twitter
4.2. Content and user motivation: Existing taxonomies
4.3. The language of microblogs
4.4. Questioning the existing mode ecology
4.5. Conclusion
Describing the corpus and the annotation scheme
5.1 Introduction
5.2 Material for the study
5.3 Ballet
5.4 Methodology
5.5 BaTwit corpus make-up
5.6 Ethical considerations
5.7 Overview of the pragmatic repertoire of the subjects
5.8 Conclusion
Self-disclosure
6.1 Introduction
6.2 Self-praise on ballet topics: Emblematic features
6.3 Strategies for rendering self-praise appropriate
6.4 Linguistic features of self-praise
6.5 Uptake
6.6 Conclusion
Third party complaints
7.1. Introduction
7.2. Frequencies of third party complaints: An overview
7.3. Topics and functions of third party complaints
7.4. Syntactic structure and lexical devices
7.5. Conclusion: Pragmatic space of complaints
Narratives in microblogs
8.1 Introduction
8.2 Components of a narrative
8.3 Emergent narrative
8.4 Dimensions of narrative: Tellability, linearity and tellership on Twitter
8.5 Small stories. Live reporting
8.6 An outline of quantitative findings
8.7 Conclusion
Bringing the findings together
9.1. Implicitness in Twitter discourse
9.1.1 Grammatical impliciteness
9.1.2 Lexical implicitness
9.2. Limitations of the study
9.3. Revisiting the research questions
9.4. Bringing the findings together: Doing identity on Twitter
9.5. The implications of the study
Glossary of ballet terms
References
Index

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