1 Concerning the Language of Music.- I: Music, Mind, and Meaning.- II: Brain Mechanism in Music: Prolegomena for a Theory of the Meaning of Meaning.- III: Physical and Neuropsychological Foundations of Music: the Basic Questions.- IV: The Living Quality of Music: Neurobiologic Basis of Communicating Feeling.- V: A Grammatical Parallel Between Music and Language.- VI: Organizational Processes in Music.- 2 Music and Neurobiologie Function.- VII: Speech, Song, and Emotions.- VIII: Prosody and Musical Rhythm are Controlled By the Speech Hemisphere.- IX: Perception and Performance of Musical Rhythm.- X: Neurobiologic Functions of Rhythm, Time and Pulse in Music.- XI: The Judgment of Musical intervals.- XII: affective Versus analytic Perception of Musical intervals.- XIII: Two Channel Pitch Perception.- XIV: Spectral-Pitch Pattern: a Concept Representing the Tonal Features of Sounds.- XV: Spectral Fusion and the Creation of auditory Images.- XVI: The Perceptual Onset of Musical Tones.- XVII: The Pitch Set as a Level of Description For Studying Musical Pitch Perception.- 3 Concerning Music and Computers.- XVIII: Impact of Computers On Music: an Outline.- XIX: Electronic Music: a Bridge Between Psychoacoustics and Music.- A Note - New Music and Neurobiologic Research: Can they Meet?.- XX: A Computer Model of Music Recognition.- Appendix: List of Sound Examples on the included Soundsheet.- Contributors.- Author index.
