Collaborative Intimacies in Music and Dance

Preface



Introduction: Collaborative Intimacies

Evangelos Chrysagis and Panas Karampampas



PART I: SOUND, MEANING AND SELF-AWARENESS



Chapter 1. Being in Sound: Reflections on Recording while Practicing Aikido and Shakuhachi

Tamara Kohn and Richard Chenhall



Chapter 2. Performing and Narrating Selves in and through Classical Music: Being 'Japanese' and Being a Professional Musician in London

Yuki Imoto



PART II: PEDAGOGIES OF BODILY MOVEMENT



Chapter 3. Kinaesthetic Intimacy in a Choreographic Practice

Brenda Farnell and Robert N. Wood



Chapter 4. The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman

Bethany Whiteside



PART III: MUSIC PRACTICES AND ETHICAL SELFHOOD



Chapter 5. The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles

James Butterworth



Chapter 6. A Sense of Togetherness: Music Promotion and Ethics in Glasgow

Evangelos Chrysagis



PART IV: BODIES DANCING IN TIME AND ACROSS SPACE



Chapter 7. Rumba: Heritage, Tourism and the 'Authentic' Afro-Cuban Experience

Ruxandra Ana



Chapter 8. Cinematic Dance as a Local Critical Commentary on the 'Economic Crisis': Exploring Dance in Korydallos, Attica, Greece

Mimina Pateraki



PART V: MOTION, IRONY AND THE MAKING OF LIFEWORLDS



Chapter 9. Performing Irony on the Dance Floor: The Many Faces of Goth Irony in the Athenian Goth Scene

Panas Karampampas



Chapter 10. The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea)

Borut Telban



Index