The Daily Book of Classical Music

Name: The Daily Book of Classical Music | 365 readings that teach, inspire & entertain
Brand: Walter Foster Publishing
Price: 22.49 EUR
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365 readings that teach, inspire & entertain

Leslie Chew Scott Spiegelberg Dwight DeReiter Cathy Doheny Colin Gilbert Greenwood Travers Huff Susanna Loewy Melissa Maples Jeff McQuilkin(Autor*in)

Walter Foster Publishing

Erschienen am 1. September 2010

376 Seiten

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Cover
Title
About the Authors
THE DAILY BOOK OF: Classical music
Introduction
Medieval Music (400-1400) WHERE IT ALL BEGAN
Binary Form: WE KNOW WHAT WE WANT
Ludwig van Beethoven: (1770-1827) THE MUSIC INSIDE HIS HEAD
Symphony No. 5 in C minor
Dido and Aeneas: HENRY PURCELL (1659-1695)
The Orchestra: MAKING BEAUTIFUL MUSIC TOGETHER
Music Theory: FULL OF SOUND AND THEORY
Arena di Verona: THE GODFATHER OF AMPHITHEATERS
Mozarthaus Vienna: AT HOME WITH MOZART
Beethoven and Rosemary's Baby: THE DEVIL'S IN THE DAKOTA
Early Medieval: (BEFORE 1150) MORE THAN MEETS THE EAR
Ternary: TO RETURN, ONE MUST FIRST LEAVE
Johannes Brahms (1833-1897) LOOKING BOTH WAYS
Eine Kleine Nachtmusik
Le nozze di Figaro (The Marriage of Figaro): WOLFGANG AMADEUS MOZART (1756-1791)
The String Section: LOTS OF STRINGS ATTACHED
Ear Training and Sound Recognition: SOUNDS LIKE...
Carnegie Hall: NEW YORK'S FINEST
The International Chopin Festival: EUROPE'S OLDEST PIANO FESTIVAL
Khachaturian's Adagio in 2001: A Space Odyssey: THE COLD, LONELY, INFINITE EXPANSE OF SPACE
High Medieval (1150-1300) POETRY IN MOTION
Inner Forms 1: Motive: WOULD YOU REPEAT THAT?
Felix Mendelssohn-Bartholdy: (1809-1847) A SHORT, BRIGHT LIGHT
Air on the G String
Don Giovanni: WOLFGANG AMADEUS MOZART (1756-1791)
The Violin: A 450-YEAR-OLD LOVE AFFAIR
What Is Musical Form?: TIME AND PATTERN ARE ESSENTIAL
Royal Albert Hall: BRILLIANT SET OF PIPES
Get in Line...Early: BAYREUTH FESTIVAL AND RICHARD WAGNER MUSEUM
Beethoven's "Ode to Joy" in Help: TIGERS HAVE TASTE
Late Medieval: (1300-1400) WHEN POETRY AND MUSIC CAME TOGETHER
Minuet and Trio: ONE, TWO, THREE, ONE, TWO, THREE...
Sergei Rachmaninov: (1873-1943) MUSIC FROM HIS DEPTHS
Adagio for Strings
Cosi fan Tutte: WOLFGANG AMADEUS MOZART (1756-1791)
The Viola: KISSING COUSIN TO THE VIOLIN
How We Perceive Musical Form: THE SHAPE OF SOUND
La Fenice: FORGED BY FIRE
Moab Music Festival, Utah: MUSIC IN CONCERT WITH LANDSCAPE
Benjamin and The Man Who Knew Too Much: STORM CLOUDS ARE BREWING
Renaissance: (1400-1600) MUSICAL PROGRESS IN THREE PARTS
Inner Forms 2: The Sentence: A STUDY IN COMPLEXITY
Richard Wagner: (1813-1883) LOVE HIM OR HATE HIM
The Four Seasons
Die Zauberflöte (The Magic Flute): WOLFGANG AMADEUS MOZART (1756-1791)
The Cello: GIVING VOICE TO THE MUSIC
Music as Organized Sound: AS OPPOSED TO DISORGANIZED NOISE
Sydney Opera House: WORTH THE STRUGGLE
London Handel Festival: HANDEL COMES HOME
Gustav Mahler and Death in Venice: LIKE THE MUSIC? GET THE BOOK
Renaissance-Notation: (1400-1600) THEY DID IT THEIR WAY
Da Capo Aria: AN OPPORTUNITY TO SHOW OFF
Arnold Schoenberg: (1874-1951) COMING FULL CIRCLE
Clair de Lune
Il Barbiere di Siviglia (The Barber of Seville): GIOACHINO ROSSINI (1792-1868)
The Double Bass: HIGHLIGHTING THE LOWDOWN
Music Notation: JUST THE BASICS
The Metropolitan Opera House: YOU HAVE ARRIVED
Verbier Festival: NEWCOMER FESTIVAL TAKES OFF
Classical Music Television Broadcasts: SOMETHING FOR THE ENTIRE FAMILY
Renaissance-Instruments (1400-1600) MEET THE PLAYERS
Inner Forms 3: Subphrase and Phrase: LEARNING MUSICAL GRAMMAR
Wolfgang Amadeus Mozart: (1756-1791) CHILD STAR
Piano Concerto No. 2 in C minor
La Cenerentola (Cinderella): GIOACHINO ROSSINI (1792-1868)
The Hurdy-Gurdy: FUNNY NAME, STORIED PAST
Building Blocks: NOTATIONAL ILLUSTRATIONS OF ORGANIZED SOUND
Massey Hall: IF MASSEY BUILDS IT...
Aspen Music Festival and School: ALL OF NATURE'S A STAGE
Raging Bull and "Intermezzo" from Cavalleria Rusticana: MASCAGNI'S ORCHESTRAL CONTRAST
Renaissance-Time Periods: (1400-1600) EVERYBODY DANCE NOW
Suite: BAROQUE DEEJAYS...
Claude Debussy: (1862-1918) BREAKING ALL THE RULES
Rhapsody in Blue
La Sonnambula (The Sleepwalker): VINCENZO BELLINI (1801-1835)
The Woodwind Section: A LARGE FAMILY WITH DISTINCTIVE VOICES
Notation of Rhythm and Meter: FASTER AND FASTER
Vienna State Opera House: A SYMBOL OF PERSEVERANCE
Boston Early Music Festival: JUST LIKE OLD TIMES
Strauss and 2001: A Space Odyssey: WHO SAYS SPACECRAFTS CAN'T DANCE?
Baroque Music: (1600-1750) A TREE BEARING MUCH FRUIT
Theme and Variations: THIS MELODY HAS LOTS OF POTENTIAL
Frédéric Chopin: (1810-1849) ROMANCING THE IVORIES
Nocturne No. 2 in E flat major
Norma: VINCENZO BELLINI (1801-1835)
The Flute: WIND IN, MELODY OUT
Tempo and Italian Terminology: IT JUST SOUNDS BETTER
Symphony Hall, Boston: REMARKABLY WELL PRESERVED
Music Still Floats Through the Halls: MENDELSSOHN HOUSE AND FESTIVAL IN LEIPZIG
Puccini's "O mio babbino caro" and A Room With a View: ARIAS OF ADVENTURE
Early Baroque (1600-1650) COMPOSERS TAKE CHARGE
Inner Forms 4: The Period: FOR EVERY QUESTION, THERE IS AN ANSWER
Franz Liszt (1811-1886): GOD, WOMEN, AND SONG
Canon in D major
L'elisir d'amore (The Elixir of Love): GAETANO DONIZETTI (1797-1848)
The Clarinet: TRICKY, BUT WORTH IT
Melody: HUM A FEW BARS
La Monnaie, Brussels: A VENUE THAT HELPED CREATE A NATION
Newport Music Festival: LOCATION, LOCATION, LOCATION
All That Jazz-and Vivaldi Too: "SHOWTIME!
Middle Baroque (1650-1700) HAIL TO THE CHIEF!
Rondo: TO EVERYTHING, RETURN, RETURN, RETURN
Hector Berlioz (1803-1869) AN OBSESSIVE GENIUS
Three Gymnopédies
Lucia di Lammermoor: GAETANO DONIZETTI (1797-1848)
The Oboe: JUST ABOUT PERFECT PITCH
Harmony and Chords: ALL TOGETHER NOW
Suntory Hall, Tokyo: IT'S ALL IN THE SEATING ARRANGEMENT
Puccini Festival: ARIAS BY THE LAKE
The Planets Are Everywhere: GUSTAV HOLST'S STELLAR FAVORITE
Late Baroque (1680-1750): HERE COME THE GREATS
Concerto Grosso: ALL FOR ONE, AND ONE FOR ALL!
Antonín Dvo(omitted)ák (1841-1904) THE CLASSICAL BOHEMIAN
Symphony No. 9 ("From the New World")
Rigoletto: GIUSEPPE VERDI (1813-1901)
The Bassoon: DON'T UNDERESTIMATE IT
Intervals, Modes, and Emotions: THE MAJOR MODE
Mariinsky Theatre: HOME OF THE KIROV
Glimmerglass Opera: LAKESIDE LISTENING
Bach and The Silence of the Lambs: KILLER MELODIES
Classical Period: (1750-1825) VIENNA IS THE PLACE TO BE
Canon: THE CHASE IS ON!
Giuseppe Verdi (1813-1901) "VIVA VERDI!"
Ave Maria
La Traviata (The Woman Who Strayed): GIUSEPPE VERDI (1813-1901)
The Brass Section: HORNS APLENTY
The Minor Modes: LOWERED SCALE DEGREES
Musikverein, Vienna: TOO BEAUTIFUL FOR MUSIC?
Festival d'Aix en Provence: A COURTYARD THEATER TRADITION IS BORN
Pachelbel and Ordinary People: A SHOWCASE FOR THE CANON
Rococo/Galant: MORE IS MORE
Scherzo: SURELY, YOU MUST BE JOKING
Johann Sebastian Bach (1685-1750) MORE THAN JUST A GOOD ORGANIST
Symphony No. 94 ("Surprise")
Aida: GIUSEPPE VERDI (1813-1901)
The Trumpet: FROM THEIR LIPS TO YOUR EARS
Flats, Sharps, and Naturals
Place des Arts, Montreal: THE ARTISTIC PULSE OF THE CITY
Dresden Music Festival: FOUNDED BY DECREE DURING THE COLD WAR
Mozart in Out of Africa: SOUNDS LIKE ROMANCE
Classicism: First Viennese School (1760-1775) HAYDN GAVE US MORE THAN ONE FEELING
Sarabande: MUSIC TO DANCE BY
Aaron Copland (1900-1990) AMERICA'S COMPOSER
Peter and the Wolf
Otello (Othello): GIUSEPPE VERDI (1813-1901)
The French Horn: PLAYING WITH HAND AND MOUTH
Gravity and Tonality in Music: THAT SOUNDS HEAVY
Royal Opera House, London: THE QUEEN'S PRIDE
Glyndebourne: SOMETHING OLD, SOMETHING NEW
Barber and Platoon: ANTIDOTE AND ACCOMPANIMENT TO WAR
Classicism: First Viennese School (1775-1790) MOZART STEPS UP
Fugue: IS THAT YOUR FINAL ANSWER?
Charles Ives (1874-1954) LIVING IN THE TENSION
"Moonlight" Sonata
Der fliegende Holländer: (THE FLYING DUTCHMAN) RICHARD WAGNER (1813-1883)
The Trombone: A MOST FORTUNATE NAME CHANGE
Tonic Rules: EVEN WITHOUT THE GIN
Vigado, Budapest: IT'S NOT ALWAYS ABOUT ACOUSTICS
Oregon Bach Festival: A CLASSICAL WORLD EVENT IN THE PACIFIC NORTHWEST
Bellini and The Bridges of Madison County: MUSIC THAT MAKES THE HEART SING
Classicism: First Viennese School (1790-1825) BYE BYE BAROQUE
Sonata: NOT TO BE CONFUSED WITH SINATRA
Igor Stravinsky (1882-1971) A LIFE OF EVOLUTION, AN AGENT OF CHANGE
Blue Danube
Lohengrin: RICHARD WAGNER (1813-1883)
The Tuba: PLAYING WITH THE BIG BOYS
Cadences: MUSIC'S TRAFFIC LIGHT
Royal Festival Hall, London: PROBLEMATIC, YET STILL BELOVED
Rossini Opera Festival: REVIVING LOST MASTERPIECES
Moon Music: A BIT OF DEBUSSY IS JUST THE RIGHT STUFF
Romanticism: AN EMOTIONAL APPEAL
Waltz: I COULD'VE DANCED ALL NIGHT...
Béla Bartók (1881-1945) NO ONE ELSE COMPARES
Missa Papae Marcelli
Tristan und Isolde: RICHARD WAGNER (1813-1883)
The Percussion Section: ACCESSORIZING WITH A SNAP, CRACKLE, AND POP
Diatonic and Chromatic Scales: STEPPING IT UP BY HALVES
Festspielhaus, Bayreuth: WAGNER, WAGNER EVERYWHERE
Edinburgh International Festival: TRANSFORMATION, THE SCOTTISH WAY
Mozart's "Romance: Andante" and Alien: KEEPING MONSTERS AT BAY
Sturm und Drang (Storm and Stress): MUSIC TO SHOCK AND AWE
Concerto: ONE AGAINST MANY
Gustav Holst (1874-1934) HE'S OUT OF THIS WORLD
Peer Gynt
Faust: CHARLES GOUNOD (1818-1893)
The Timpani: WORLD'S OLDEST BEAT
Key Relationships: THE CIRCLE OF FIFTHS
Konzerthaus, Vienna: A VENUE FOR THE PEOPLE
Banff Summer Arts Festival: SOMETHING FOR EVERYONE
Walt Disney's Fantasia: ANIMATION BASED ON CLASSICAL MUSIC
Early Romanticism: ESCAPE TO ANOTHER TIME AND PLACE
Madrigal: COUNTERPOINT WITHOUT ALL THAT RELIGION
Franz Schubert (1797-1828) FOLLOW THE "LIEDER"
The Rite of Spring
Roméo et Juliette (Romeo and Juliet): CHARLES GOUNOD (1818-1893)
Tuned Percussion: XYLOPHONE AND MARIMBA CHIME IN
Seventh Chords: BULKING UP THE SOUND
Hungarian State Opera House: THE JEWEL IN THE HUNGARIAN CROWN
Beethovenfest Bonn: ROLL OVER, BEETHOVEN
Ravel and 10: THE "BOLERO" AND THE BEAUTIFUL
Late Romanticism: NOW IT'S GETTING PERSONAL
Ballad: ONCE UPON A TIME
Edvard Grieg (1843-1907) NORWAY'S MUSICAL TRAILBLAZER
Adagio for Strings and Organ in G minor
Les pêcheurs de perles (The Pearl Fishers): GEORGES BIZET (1838-1875)
Carillon: WORTH THEIR WEIGHT IN GOLD
Monophonic Music: ONE VOICE, ONE MELODY
Theatre des Champs-Elysees: AN OVERNIGHT SENSATION
Santa Fe Chamber Music Festival: FEAST FOR EYES AND EARS
Elgar and Elizabeth I: MUSIC THAT KNOWS NO TIME
20th-Century Music: A COMPOSER'S FREE-FOR-ALL
Toccata: WHAT A SHOW-OFF!
Nadia Boulanger (1887-1979) INFLUENCING THE INFLUENCERS
Boléro
Carmen: GEORGES BIZET (1838-1875)
The Glockenspiel: ARE THOSE BELLS YOU'RE HEARING?
Polyphonic Music: VOICES IN PERFECT HARMONY
Gewandhaus, Leipzig: GROWING PAINS
Handel House Museum: THE ULTIMATE LIVE-WORK SPACE
Black & Decker® and Rimsky-Korsakov: THE HANDYMAN'S MUSE
Romantic Style: A BRIDGE OVER CHANGING MUSIC
Passacaglia: DIG THAT BASS!
Sergei Prokofiev (1891-1953) ENFANT TERRIBLE
Toccata and Fugue in D minor
Samson et Dalila: CAMILLE SAINT-SAËNS (1835-1921)
Indefinite Pitched Percussion: NOISEMAKERS EXTRAORDINAIRE
Homophonic Music: ONE LEADER, MANY SUPPORTERS
Bolshoi Theatre: THE "GRAND" DAME OF RUSSIA
The Ottawa International Chamber Music Festival: FILLING CANADA'S CAPITAL WITH MUSIC
British Airways and "Flower Duet": "SAFETY AND PEACE IN THE SKIES"
Impressionism: THE FRENCH TAKE THE LEAD
Mazurka: FOLK DANCING GETS FANCY
Antonio Vivaldi (1678-1741) HALF-HEARTED PRIEST, WHOLE-HEARTED COMPOSER
Requiem
Les Contes d'Hoffmann: JACQUES OFFENBACH (1819-1880)
Indefinite Pitch Orchestral Drums: NO TUNE, LOTS OF BEAT
Implied Harmony: YOU JUST THOUGHT YOU HEARD THAT
National Theatre, Munich: A HOME FOR GERMAN MUSICAL GENIUS
Ravinia Festival: CULTURE WITH A COLORFUL PAST
Grieg and Nescafé®: A LITTLE PEER GYNT WITH YOUR COFFEE
Expressionism: OUT WITH CONVENTION, IN WITH INVENTION
Chamber Music: FOR JUST A FEW CLOSE FRIENDS...
Richard Strauss (1864-1949) THE BALANCING ACT
The Nutcracker
Manon: JULES MASSENET (1842-1912)
The Piano: 300 YEARS OF TICKLING THE IVORIES
Contemporary Harmony and Polytonality: THE DEATH OF TONALITY
La Scala: NOT FOR THE FAINT OF HEART
The Stradivari Museum and the Ancient Instruments Collection: BIRTHPLACE OF THE VIOLIN
Prokofiev and Lexus: MUSIC TO DODGE ORBS BY
Futurism (1910-1930): WHEN MACHINES CALLED THE SHOTS
Symphony: ALL TOGETHER NOW!
Claudio Monteverdi (1567-1643): ROMANTIC BEFORE HIS TIME
Appalachian Spring: BY AARON COPLAND, 1943-1944
Boris Godunov: MODEST MUSSORGSKY (1839-1881)
The Harpsichord: STRIKING A CHORD IN THE BAROQUE PERIOD
Suspended Fourths and Quartal Harmony: THREE'S COMPANY, FOUR'S A NOISE
Concertgebouw: CLASSICAL MUSIC ONLY-NOTHING ELSE SOUNDS AS GOOD
Salzburg Festival: A FESTIVAL BRINGS RECONCILIATION
Classical Music in a Sitcom: THE ODD COUPLE BROUGHT CLASS TO THE GENRE
Second Viennese School: ARNOLD SCHOENBERG AND THE 12 TONES
March: HUP, TWO, THREE, FOUR!
Dmitri Shostakovich (1906-1975): THE RELUCTANT SOVIET
A Midsummer Night's Dream
Cavalleria Rusticana (Rustic Chivalry): PIETRO MASCAGNI (1863-1945)
The Clavichord: HARD TO HEAR, WORTH THE EFFORT
Sounds Like Change: HOW THE ELEMENTS OF MUSIC DETERMINE STYLE
Berlin State Opera House: PERSEVERENCE THROUGH THE CENTURIES
Tanglewood Music Festival: VIEW FROM THE SHED
Orff and Old Spice®: SHAVING NEVER FELT SO TRIUMPHANT
Neoclassicism: EVERYTHING IN MODERATION
Mass: SINGING PRAISES TO GOD
Jean Sibelius (1865-1957): THE NOT-QUITE-FINNISH COMPOSER
Music for 18 Musicians
I Pagliacci (Clowns): RUGGIERO LEONCAVALLO (1857-1919)
The Celesta: GENTLE TONES FROM A HEAVENLY INSTRUMENT
Getting Lost In Opera: THE WAGNERIANS AND ULTIMATE CHROMATICISM
Eszterhaza: WHERE HAYDN FELT RIGHT AT HOME
Marlboro: COMMUNAL ARTISTRY IN SOUTHERN VERMONT
The Barber of Seville and Ragú®: ROSSINI AND VERDI SELL THE SAUCE
Electronic Music/Music Concrète: PLUGGING INTO THE FUTURE
Trio Sonata: GOOD THINGS COME IN THREES...OR FOURS
George Frideric Handel (1685-1759): THE "WORLDLY" CHURCH MUSICIAN
Symphony No. 40
Hänsel und Gretel (Hansel and Gretel): ENGELBERT HUMPERDINCK (1854-1921)
The Harp: HARP STRINGS TOUCH OUR HEARTSTRINGS
Atonality and German Expressionism: THE AGONY AND THE ECSTASY
Walt Disney Concert Hall: RAISING THE BAR FOR AMERICAN VENUES
Lucerne Festival: A BIT OF SWISS MAGIC
Turning Classical Into Rock: EMERSON, LAKE & PALMER TAKE THE CHALLENGE
Contemporary Music (1945-1970): THE NEW GENERATION
Rotational Form: WHAT GOES AROUND, COMES AROUND
Franz Joseph Haydn (1732-1809): THE "PAPA" OF CLASSICAL MUSIC
Meditation
La Bohème (The Bohemian): GIACOMO PUCCINI (1858-1924)
The Classical Guitar: FROM EVOLUTION TO REVOLUTION
Arnold Schoenberg and 12-Tone Music: GOTTA GET THROUGH 'EM, ALL 12 OF 'EM
Opernhaus, Zurich: WHAT WILL THEY THINK OF NEXT?
American Classical Music Hall of Fame: HONORING AMERICA'S CONTRIBUTIONS
Rock Band Yes and Classical Music: A VERY GRAND ENTRANCE
Postmodern Music: THE SOUNDS OF SILENCE AND RANDOMNESS
Prelude: HEY! I'M STARTING NOW!
Sir Edward Elgar (1857-1934): OVERCOMING THE ODDS
Hungarian Rhapsody No. 2
Tosca: GIACOMO PUCCINI (1858-1924)
The Pipe Organ: KING OF THE INSTRUMENTS
Bloop! Bleep! Every Element Can Be Serialized!: FOR WHEN YOU WANT TOTAL CONTROL
Teatro Carlo Felice: THE PRIDE OF GENOA
Monteverdi Festival: HAIL TO THE GODFATHER OF OPERA
Classical Melodies in Rock Music: RUFUS WAINWRIGHT PAYS HOMAGE TO MAURICE RAVEL
Minimalism (1960s AND '70s): ON AGAIN, OFF AGAIN
Chaconne: LOVE THAT PROGRESSION!
François Couperin "le Grand" (1668-1733): A QUIET INFLUENCE
Messiah
Madama Butterfly (Madame Butterfly): GIACOMO PUCCINI (1858-1924)
The Bagpipe: SWEET NOTES FROM A WINDBAG
"Chance," "Aleatory," or "Stochastic" Music: IN OTHER WORDS, ANYTHING GOES
Mozarteum: WHERE EDUCATION AND PERFORMANCE MEET
Bachfest Leipzig and Bach Museum: TWO GREAT REASONS TO VISIT GERMANY
The Beatles: CLASSICAL MUSIC INFLUENCE FROM THE OTHER GEORGE
Neoromanticism (1930s, 1950s, AND NOW): THIS TIME WITH FEELING
Fantasia: I'M MAKING THIS UP AS I GO ALONG!
Robert Schumann (1810-1856): A FINE LINE
Träumerei
Turandot: GIACOMO PUCCINI (1858-1924)
The Human Voice: OUR OWN BUILT-IN INSTRUMENTS
The Sensuous, Whole-Tone French: MUSIC WITH MYSTERY
Großes Festspielhaus: THE MUSE'S HOLY HOUSE
Verdi Festival: CELEBRATING ITALY'S NATIVE SON
The More, the Merrier: ROCK GROUPS ACCOMPANIED BY SYMPHONY ORCHESTRA
Postminimalism/Totalism: A LITTLE BIT OF EVERYTHING
Character Piece: SONGS WITH PERSONALITY
Clara Schumann (1819-1896): WRITING IN THE SHADOWS
Symphony No. 9 in D minor ("Choral")
Salome: RICHARD STRAUSS (1864-1949)
The Serpent: EASY ON THE EARS, HARD ON THE LIPS
Musique Concrète and "Found Objects": MAKING JOYFUL NOISES
National Theater and Concert Hall: A MEMORIAL FOR A CONTROVERSIAL LEADER
Beethoven-Haus Bonn Museum: BITS AND PIECES FROM THE GREAT COMPOSER
Sarah Brightman: BRINGING CLASSICAL AND OPERA TO THE MASSES
New Simplicity and New Complexity: HERE IS WHERE IT GETS CONFUSING, AND VERY EXCITING
Cyclic Form: WAIT, DIDN'T I ALREADY HEAR THAT?
Amy Beach (1867-1944): THE LIGHT THAT COULDN'T BE HIDDEN
The Swan
Elektra: RICHARD STRAUSS (1864-1949)
The Glass Armonica: SIMPLY STUNNING SOUND
American Jazz and Rock: WHERE CLASSICAL MUSIC HAS COME
Festspielhaus: GOVERNMENT INTERVENTION SAVES THE DAY
Festival of the Sound: CHAMBER MUSIC ON THE WATER
Classical Crossover: JOHN BAYLESS MAKES CLASSICAL ROCK
Art Rock Influence: FEELING THE BEAT, AND PROUD OF IT
Tone Poem: EVERY PIECE TELLS A STORY
Maurice Ravel (1875-1937): BEYOND IMPRESSIONISM
Mass in B minor
The Consul: GIAN CARLO MENOTTI (1911-2007)
The Vibraphone: ALMOST HUMAN
Music Theory and You: SCIENCE THAT JUST SOUNDS GOOD
Berlin Philharmonie: BEAUTY AND BRAINS ALL IN ONE PLACE
Spoleto Festival: A BIT OF ITALY IN CHARLESTON, SOUTH CAROLINA
Classical Music's Influence on Film and Television Composers: BLAME IT ON THEIR TRAINING
World Music Influence: THE GLOBAL SYMPHONY
Invention: A MUSICAL CONVERSATION THAT'S HARD TO FOLLOW
Pyotr Ilyich Tchaikovsky (1840-1893): MUSIC OF THE SOUL
Wiegenlied (Lullaby)
Amahl and the Night Visitors: GIAN CARLO MENOTTI (1911-2007)
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