Film, History and Cultural Citizenship

Film, History, and Cultural Citizenship: An Introduction Section 1: Producing National and Transnational Imaginaries 1. Negotiating Mobile Subjectivities: Costume Play, Landscape, and Belonging in the Colonial Road Movies of Shimizu Hiroshi 2. Moore's Utopia: Canada in the Cinematic Imagination of Michael Moore 3. Seeing Beneath the Veil: Saira Shah and the Problems of Documentary 4. Textual Communities and Localized Practices of Film in Maoist China 5. Transnational Communities of Affinity: Patricio Guzman's The Pinochet Case Section 2: Historical Feeling in the Sites of Production 6. Moving Intimacy: The Betrayals of a Mother called "Yesterday," a Child called "Beauty" and a Father called John Khumalo 7. Queer Grit: Jane West Rides Through the Violence of the Hollywood Western 8. Violence, Gender, and Community in Atanarjuat 9. Memory, Affect, and Personal Modernity: Now, Voyager and the Second World War Section 3: The Culture of Film and the Production of History 10. Alterity, Activism, and the Articulation of Gendered Cinemascapes in Canadian Indian Country 11. The Battle of Algiers: Pentagon Edition 12. Jacob the Liar and Historical Truth in Berlin and Hollywood 13. Abderrahmane Sissako: Les Lieux Provisoires of Transnational Cinema