The Oxford Handbook of Cinematic Listening

The Possibilities of Cinematic Listening: An Introduction Carlo Cenciarelli PART I: Genealogies and Beginnings 1. "Deeds of Music" in Bourgeois Opera (What the Listeners Sees...) Peter Franklin 2. Hearing the Shadows at the Chat Noir's Pre-cinematic Theatre Emilio Sala 3. The Courtships of Ada and Len: Mediated Musicals and Vocal Caricature Before the Cinema Jacob Smith 4. The "Trickality" of Listening in Early Musical Trick Films Julie Brown 5. Cinematic Listening and the Early Talkie Jim Buhler PART II: Locations and Relocations 6. Historical Sound-Film Presentation and the Closed-Curtain Roadshow Overture Ben Winters 7. Tasteful Networks of Attention: Language, Listening, Meaning, and Art House Exhibition Jocelyn Szczepaniak-Gillece 8. "The Atmosphere Was Entirely Good Humoured": The Cinema as a Venue for Live Music in Britain in the 1950s and 1960s Simon Frith 9. Out of the Frame: Live-Score Film Screenings and the Cinematic Experience Jeremy Barham 10. Leveraging a Long and Tuneful History: Perspectival Manipulation, Surround Sound, and Dolby Atmos Meredith C. Ward PART III: Representations and Re-presentations 11. Making Sense of Noise and Silence in La Captive Richard Dyer 12. Hearing Hearing? Reflections on the Kubrickian Soundtrack David Code 13. Countercultural Listening in Malick's Badlands (1973) Julie Hubbert 14. Music Lovers. Listening in (and to) Composer Biopics Guido Heldt 15. Hi-Yo, Rossini: Hearing Pre-existing music as Post-existing Music Jonathan Godsall 16. "You Sorta Listen with Your Eyes": How Audiences Talk about Film Music Martin Barker PART IV: The Listening Body 17. Fist to Face: Corporeal Listening and the Cinematic Punch Lisa Coulthard 18. The Erotics of Cinematic Listening Danijela Kulezic-Wilson 19. Sensing Time and Space through the Soundtracks of Interstellar and Arrival John Richardson, Anna-Elena Pääkkölä, Sanna Qvick 20. Listening-Feeling-Becoming: Cinema Surveillance Miguel Mera 21. Sonic Elongation and Sonic Aporia: Two Modes of Disrupted Listening in Film Holly Rogers 22. The Trailer Ear: Constructions of Loudness in Cinematic Previews James Deaville PART V: Listening Again 23. Pop Music, Processing Fluency, and Pleasure: Film Songs as Both Hype and Memento Jeff Smith 24. A Movie for Speakers: Queen's Flash Gordon and the Integrated Soundtrack Album Paul N. Reinsch 25. "If You Know Arabic, Indian Songs Are Easy For You": Hindi Film Songs in Tamale, Northern Ghana Katie Young 26. Hearing and Teaching Soundtracks as a Mother and a Daughter: A Personal, Feminist, Pedagogical Approach to Flux Elsie Walker 27. Hearing Film Music Topics outside the Movie Theatre: Listening "Cinematically" to Pastorals Janet Bourne 28. Hearing Secondary Explosions: The Naudet Brothers' 9/11 and Audiovisual (A)synchronization in Twenty-First-Century Media Randolph Jordan PART VI: Across Media 29. Evolving Storylines and Patterns of Listening: The Case of Invasion at the Dawn of the Binge Age (2005-06) Robynn Stilwell 30. Projections of Image on Sound: Reassessing the Relation between Music Video and Cinema Mathias Bonde Korsgaard 31. Listen Again: Music Video's Cinematic Soundscapes Laurel Westrup 32. Summon the Cinematic? Aural Mediation and Filmic Immersion in the Case of Remote Taipei Ya-Mong Feng 33. iPod Listening as an I-voice: Solitary Listeners and Imagined Interlocutors across Cinema and Personal Stereos Carlo Cenciarelli 34. Fantasias on a Theme by Walt Disney: Playful Listening and Video Games Tim Summers 35. Old(er) Media and New Musical Affordances in Virtual Reality Experiences Michiel Kamp