Experiencing Music and Visual Cultures

Setting the Scene

2 -Synch: Scenes of Implication

ALESSANDRA CAMPANA

3 - Armida In-Between. The Translation of the Affetti.

GIOVANNI CARERI

Voice as Presence and Absence

4 - La Voix humaine (1959-2016) and the "Epiphany" of the Performer's Identity

FRANCESCA PLACANICA

5 - Puppets that Sing or Scenery that Breathes: Phelim McDermott's Satyagraha

HAYLEY FENN

6 - Manipulating (Public) Images in the Contemporary Music Documentary

JENNIFER O'MEARA

7 - A New Carmen for a Renewed Spain: Nationalism and Cinema during the Spanish Civil War

LAURA MIRANDA

Beyond Borders

8 - "Uber Opera": The Politics of Site-Specific Mobile Opera in Los Angeles

MONICA CHIEFFO

9 - Quel trouble me saisit? The Arrested Gaze of Armide in Poussin, Quinault and Lully

MICHAEL LEE

10 - Music in Cuban Revolutionary Cinema: Musical Experimentation in the Service of Revolutionary Ideology

MARYSOL QUEVEDO

11 - Ken Russell's Mahler: A Musical Phantasmagoria

PASCAL VANDELANOITTE

12 - There's Meth in the Madness: Music and Incongruence in AMC's Breaking Bad

JESSICA SHINE

From Silence to Sound and Back

13 - Music, Painting, Cosmos, Chaos: Flaying and Playing in Titian and Ribera

ITAY SAPIR

14 - Armonia: Seeing and Hearing in Veronese's Le nozze di Cana

ANTONIO CASCELLI

15 - Listening to Space in Time

SUSANNA PASTICCI

16 - The Allowable Voices of Silent Opera Films in 1910s Ireland

DENIS CONDON