Originally published in 1963 and with a foreword by Yehudi Menuhin, this book begins with a study of the historical scene and the conditions under which Bach and his player colleagues lived, wrote and worked. It discusses the instruments then in use and required by Bach in these compositions and why certain passages in consequence took the shape or form they did. The book analyses Bach's music and demonstrates how he built up whole movements from a single 3 or 4-note germ, and at the same time shows how the composer developed his own powers. How, for example, in addition to making any necessary changes to overcome technical deficiencies, he began to think about the musical suitability of passages given to certain instruments instead of just giving the same passage to any of the instruments he happened to have included in his concertante group. When it was first published the book was believed to be the only one in English to deal with the subject in such detail.
Rezensionen / Stimmen
Original Review of Bach's 'Brandenburg' Concertos:
'Mr Carrell has written a useful little book... [he] is a reliable guide...' Music and Letters, Vol 45, Issue 3 (1964).
Reihe
Auflage
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Illustrationen
8 Illustrations, black and white
ISBN-13
978-1-040-22428-1 (9781040224281)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Part 1: History Part 2: Instruments and Analysis: 1. Concerto No. 1 2. Concerto No. 2 3. Concerto No. 4 4. Concerto No. 5 6. Concerto No. 6 7. Conclusion.
