Mapping Impressionist Painting in Transnational Contexts

1. Mapping Impressionist Constellations (Emily C. Burns and Alice M. Rudy Price); 2. Camille Pissarro, Fritz Melbye, and Early Impressionist Innovation in Caracas (Mia Laufer); 3. Impressionism as Erasure: Whistler and the Chincha Islands War (Alexis Clark); 4. Frontier Impressionisms in the United States and Australia (Emily C. Burns); 5. Transplanting Impressionism to Canada (Samantha Burton); 6. Christian Krohg's Images of Family Intimacy in the Age of Impressionism (Oystein Sjastad); 7. An Arctic Impressionism?: Anna Boberg and the Lofoten Islands (Isabelle Gapp); 8. Jeune Turc, Jeune Femme: Impressions of a New "Beaute Orientale" (Ahu Antmen); 9. "Only the Colors Should Begin to Compose...": Stanislaw Wyspianski's Window View(s) and the Politics of Polish Color (Amalia Wojciechowski); 10. Institutionalizing Impressionism: Kuroda Seiki and Plein-Air in Japan (Chinghsin Wu); 11. From Famed Masters to a New Generation: Durand-Ruel's Transatlantic Label "Impressionism" (Hadrien Viraben and Claire Hendren); 12. "The Rayonnement of Our Ideals": French, German, and Nordic Painting in Fin-de-Siecle France (Nicholas Parkinson); 13. Impressionism Projected: Anna Ancher, Hygge, and Danish Modernism (Alice M. Rudy Price); 14. "Echoes of Impressionism": Joaquin Claussel and the Politics of Mexican Art (Mark A. Castro); 15. Italian Futurism, Socialism, Urban Change, and Impressionism (Zoe Marie Jones)