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The definitive reference text on curation both inside and outside the museum
A Companion to Curation is the first collection of its kind, assembling the knowledge and experience of prominent curators, artists, art historians, scholars, and theorists in one comprehensive volume. Part of the Blackwell Companion series, this much-needed book provides up-to-date information and valuable insights on the field of curatorial studies and curation in the visual arts. Accessible and engaging chapters cover diverse, contemporary methods of curation, its origin and history, current and emerging approaches within the profession, and more.
This timely publication fills a significant gap in literature on the role of the curator, the art and science of curating, and the historical arc of the field from the 17th century to the present. The Companion explores topics such as global developments in contemporary indigenous art, Asian and Chinese art since the 1980s, feminist and queer feminist curatorial practices, and new curatorial strategies beyond the museum. This unique volume:
Broad in scope and detailed in content, A Companion to Curation is an essential text for professionals engaged in varied forms of curation, teachers and students of museum studies, and readers interested in the workings of the art world, museums, benefactors, and curators.
Brad Buckley is an artist, urbanist, activist, curator, and Professorial Fellow at the Victorian College of the Arts, University of Melbourne, Australia. He was previously Professor of Contemporary Art and Culture at Sydney College of the Arts, University of Sydney, and has authored and edited many books and essays on contemporary art.
John Conomos is an artist, critic, writer, and Associate Professor and Principal Fellow at the Victorian College of the Arts, University of Melbourne. His art practice cuts across a variety of media and has been exhibited extensively around the world including at the Tate Modern, London and at MoMA, New York. He has authored and edited numerous books on contemporary art and cinema.
Dedication
Acknowledgements
Foreword
Illustrations
IntroductionBrad Buckley and John Conomos
About the Editors
Section One: An Overview: The origin and provenance of curating
1. A Selective History of Curating in Pittsburgh: The Recent Story of the Carnegie InternationalDavid Carrier
2. Curating Curiosity: Imperialism, Materialism, Humanism and the WunderkammerAdam Geczy
3. Professionalizing the Field: The Case of the United StatesAndrew McClellan
4. The Emergence of the Professional CuratorCarole Paul
Section Two: Movements, models, people and politics
5. Curating as a Verb: 100 Years of Nation-StatesJuli Carson
6. Curating without Borders: Transnational feminist and queer feminist practices for the twenty first centuryElke Krasny
7. Displacements and Sites: Notes on a Curatorial MethodMaria Lind
8. Africa, Art and Knowing Nothing. Some thoughts on curating at the British MuseumChris Spring
9. Curatorial CrisisMartha Wilson
10. 'We Care as Much as You Pay - Curating Asian ArtThomas J. Berghuis
Section Three: The curator in a globalized world
11. Museums are everywhere in China, there is no museum in China (or, how institutional typologies define curatorial practices)Biljana Ciric
12. Curating the Contemporary in Decolonial Spaces. Observations from Thailand on Curatorial Practice in Southeast AsiaGregory Galligan
13. Curated from Within: The Artist as CuratorAlex Gawronski
14. Decolonizing the Ethnographic MuseumGerald McMaster
15. The Creature from the Id: Adventures in Aboriginal Art CuratingDjon Mundine
16. The Impact of Context Specificity in Curating amidst the Forces at Play in a Globalized World of RealmsFato? Üstek
17. The Neglected Object of CurationLee Weng Choy
Section Four: Beyond the museum: Curating at the frontier
18. Parallel processing: public art and new media artSarah Diamond
19. Approach to the Curatorship of Virtual Reality ExhibitionsArnau Gifreu-Castells
20. Tracing the Ephemeral and Contestational Aesthetics and Politics of the Living ArchiveErik Kluitenberg
21. Curating with the InternetSean Lowry
22. Arts & Science - the Intersection (re)engineeredMelentie Pandilovski
Index
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