Composing for the State

Rezensionen / Stimmen

'Ten fascinating narratives are presented here about the function of state music in a wider range of twentieth-century dictatorships. An international roster of distinguished authors ensures the most detailed study of this subject thus far. This unique volume clarifies how music was used to present the public face of state sanctioned propaganda.' - Patricia Hall, University of Michigan, USA

'These essays, surveying musical works that span five decades and three continents, shed light on creations generally overlooked by virtue of their being "tainted" because they were commissioned by dictatorships. Instead of shunning these works, the essays explore the complex interactions of the state, the composers, and the public and offer new paths toward dissecting notions of creative autonomy in the twentieth century.' - Pamela Potter, University of Wisconsin-Madison, USA

"Composing for the State [offers] ten case studies grounded in original research on the subject of music and twentieth-century dictatorships. Geographically, the scope is also wider, encompassing work not just on Europe but also on Latin America and China. And yet, its central question is not too far removed from Riley and Smith's: How do we understand music commissioned by the state when that state is a dictatorship? In their introduction, the editors usefully suggest that these compositions should not simply be written off as propaganda. Instead, we should explore them, their genesis, and their reception both to enrich our comprehension of cultural life and net-works under dictatorships and, more broadly, to investigate further music's role in the construction and perseverance of such political regimes." - Anthony J. Steinholff, Universite du Quebec a Montreal, Canada 'Ten fascinating narratives are presented here about the function of state music in a wider range of twentieth-century dictatorships. An international roster of distinguished authors ensures the most detailed study of this subject thus far. This unique volume clarifies how music was used to present the public face of state sanctioned propaganda.' - Patricia Hall, University of Michigan, USA

'These essays, surveying musical works that span five decades and three continents, shed light on creations generally overlooked by virtue of their being "tainted" because they were commissioned by dictatorships. Instead of shunning these works, the essays explore the complex interactions of the state, the composers, and the public and offer new paths toward dissecting notions of creative autonomy in the twentieth century.' - Pamela Potter, University of Wisconsin-Madison, USA

"...an eminently readable collection dealing with themes that have come increasingly to the fore over recent decades and whose very ambiguity enrich our understanding of the music discussed here and its historical and cultural contexts."- Ivan Moody, Universidade Nova, Lisbon