Introduction: Feminism by Any Other Name

'Don't agonize, organize!'

Flo Kennedy, 19711

What a time to dare to take on the present, defined as the record of what we are ceasing to be, and the seed of what we are in the process of becoming!

Flashback to 1992: at the physical site of the watershed art exhibition Post Human (Deitch, 1992), a giant female figure of an Armani-clad business woman confidently welcomed visitors to the show. This cutting-edge exhibition displayed multiple variations of the new micro-femininities being constructed at that moment in technological culture. The curator Jeffrey Deitch captured the avant-garde spirit of the age by foregrounding the role of technology in blurring the binary boundaries between subjects and objects, humans and non-humans. The exhibition showed that body improvement and the embrace of artificiality were becoming the norm: plastic surgery, dieting, exercises, mind-altering drugs and other practices enhance the humans beyond their dreams. The Post Human showed also that art assumed a much more central role as it merged with science, computerization and biotechnology in further re-shaping the human form and perfecting a flair for the artificial. The message was clear: the pleasures of the inorganic have become second nature, producing a deeper intimacy with technological artefacts. And the contradictions surrounding the female bodies were at the heart of this very first exhibition on the posthuman.

Fast forward to 2013. During her 'Mrs. Carter Show World Tour', American singer Beyoncé flashed the word 'Feminist' in shining letters across the stage and sang her feminist anthem 'Flawless' from the hit album Lemonade. Throughout this performance, Beyoncé repeated, like a mantra, the following definition, taken from the work of Chimamanda Ngozi Adichie: 'Feminist: a person who believes in the social, political and economic equality of the sexes.' Simple and to the point, who could quarrel with that?

Well, some actually did. Celebated black feminist bell hooks, for instance, voiced critcism of celebrity media culture and of the explicitly sexualized nature of Beyoncé's performances (hooks, 2016). This stirred quite a controversy (Gay, 2014c; Plate, 2019). But what is striking is that a mega-star like Beyoncé is actually entering the feminist debate at all. She is defending the equality-minded feminist agenda and interrogating her own politics of locations as a black woman, a sexed female and a passionate professional. And she is not alone. Media mogul Oprah Winfrey is also up there while other feminist celebrities today include Hillary Clinton, Emma Watson, Michelle Obama, Ellen de Generis, Caitlyn Jenner, Laverne Cox, Lady Gaga and many more (Hamad and Taylor, 2015). There is no aspect of contemporary popular culture where feminists, emancipation-minded, anti-racist and LGBTQ+ people have not made their mark. What was blasphemy thirty years ago is banality today, livestreaming from our home screens.

In this book I unravel the deep imbrications between the two 'isms' that are so dear to my heart: feminism and posthumanism. The claim of this book is that mainstream posthuman scholarship has neglected feminist theory, while in fact feminist theory is one of the precursors of the posthuman turn. Posthuman Feminism aims to fill that missing link and argues that they are two sides of the same coin. This intellectual endeavour is urgent because we live in times of what I have called the posthuman convergence in the two predecessors to this book, The Posthuman (Braidotti, 2013) and Posthuman Knowledge (Braidotti, 2019). The present book builds on and expands from the two previous volumes, exploring the consequences for feminism of thinking through and with posthuman theory. In keeping with my approach, I refer to the posthuman as both a marker of present conditions and as a navigational tool. In both cases the term aims to assist in reaching a more adequate understanding of the challenges confronting us in today's world and in steering a course across them. More specifically, I want to detect and assess emergent trends in contemporary feminist theory and practice.

Feminism is by now an established social movement, greatly diversified across multiple constituencies and locations. It is therefore not easy to give a comprehensive definition, other than pointing to a broad range of feminist positions. The spectrum includes the quest for equality between men and women, the recognition of multiple genders, the abolition of gender identities altogether, the intersectional connections across gender, race and class, and more. Feminism is the struggle to empower those who live along multiple axes of inequality. It involves empowering the dispossessed and impoverished, not only women, but also LGBTQ+ people, people of colour, Black and Indigenous peoples. In that sense, feminism is not just an egalitarian movement for the mainstream, but also a transformative decolonial and radical struggle to affirm positively the differences among marginalized people(s). These differences of material location express different life experiences and also multiple ways of knowing. The radical spark of the feminist project for me lies in its subversive politics. It means creating the alternative visions of 'the human' generated by people who were historically excluded from, or only partially included into, that category. It means creating other possible worlds. This transformative edge assumes that no emancipatory process, however partial, is ever completely subsumed or incorporated into the dominant socio-economic life conditions, to which it is attached by critical opposition. Margins of intervention remain available, albeit as virtual potential. The trick is how to activate them.

By posthuman convergence I mean to indicate the present historical condition of the Anthropocene - not a utopian future - that is marked by three momentous and interconnecting changes. First, at the social level we witness increasing structural injustices through the unequal distribution of wealth, prosperity and access to technology. Second, at the environmental level we are confronted with the devastation of species and a decaying planet, struck by climate crisis and new epidemics. And third, at the technological level, the status and condition of the human is being redefined by the life sciences and genomics, neural sciences and robotics, nanotechnologies, the new information technologies and the digital interconnections they afford us.

The COVID-19 pandemic that is raging as I am writing is emblematic of the posthuman convergence. It is a human-made disaster aggravated by undue interference in the ecological balance and the lives of multiple species. The pandemic foregrounds the importance of human/non-human interaction and its destructive, as well as generative, potential. Paradoxically, the contagion has resulted in an increased use of technology and digital mediation, as well as enhanced hopes for vaccines and bio-medical solutions. It has thus intensified the humans' reliance on the very high-tech economy of cognitive capitalism that caused the problems in the first place.

Living with these internally contradictory developments is part of our historical deal. Thinking adequately about them is an urgent task for feminist thought, all the more so because the posthuman turn is marked by fundamental disruptions of received understandings of what it means to be human. The blatant inequalities exposed by the COVID-19 pandemic such as the disproportionate loss of lives among women, LGBTQ+ and ethnic minorities and socially underprivileged people, brings home a reality that feminist, postcolonial and race thinkers had already voiced: that the 'human' is neither universal nor neutral but shot through with power relations organizing access to privileges and entitlements (Hammonds, 2020).

Advanced capitalism is at the core of the disruptions that characterize the posthuman convergence, its advanced technologies barely concealing the brutality of the social injustices it enforces. The combined pressures of these power mechanisms are simultaneously uniting humanity in the threat of extinction and dividing it by controlling access to the resources needed to meet the challenge. The economically dispossessed and impoverished are missing out on the advantages and profits of advanced capitalism and are in fact the most exposed to the lethal effects of ecological depletion and global pandemics. The posthuman convergence thus makes for polarized socio-economic divergences, as well as manic-depressive swings of moods and emotions. Excitement and exhilaration in view of the advanced technologies and automation that drive the 'Fourth Industrial Age' (Schwab, 2015), alternate with exasperation and fear at the thought of the damages inflicted by the 'Sixth Extinction', the potential mass extinction of both human and non-human inhabitants of this planet (Kolbert, 2014). The affective economy of the posthuman convergence is characterized by suffering interchanging with hope, fear unfolding into resilience, and anxiety flipping into action.

A pandemic on the scale of COVID-19 brings home to the Western world an ancient truth, carried by Indigenous philosophies and cosmologies: that 'we' are all in this planetary condition together whether we are humans or others. It is high time for this heterogeneous and collective 'we' to move beyond the Eurocentric as well as...