Investigating Musical Performance

I.

The interactive and spatial life of music: towards a composite ethnomusicological approach for

the analysis of musical performance

by Giovanni Giuriati

On the sonorous rendering of musical texts: theoretical stances since the early nineteenth century

by Gianmario Borio

Empirical methods in the study of music performance: an interdisciplinary history

by Martin Clayton

Musical performance as a medium of value

by Timothy D. Taylor

'Musical Personae' revisited

by Philip Auslander

The performer's experience: positional listening and positional analysis

by John Covach

Music's techno-chronemics

by Martin Scherzinger

Investigating musical performance: an overview of recent perspectives

by Alessandro Cecchi, Marco Lutzu

II.

Who's keeping the score?

by Janet Schmalfeldt

Judging Chopin: an evaluation of musical experience

by John Rink

The manufacture of extravagant gesture: labour and emotion on the operatic stage

by Mary Ann Smart

The physiognomy of the voice: vocal gestures in Italian experimental music (1960-70)

by Michela Garda

Sentimental gesture and the politics of 'shape' in the performances of Abd al-Halim Hafiz

by Martin Stokes

Marking the sam: tal, tempo and gesture in khyal performance

by Laura Leante

Lokapanca: analysing structure, performance and meanings of a temple song in Nepal

by Richard Widdess

Between music and noise: the discussion of portamento and its socio-aesthetic implications during

the long nineteenth century

by Camilla Bork

Towards a consideration of the contemporary musical work as 'a work in progress'

by Pierre Michel