The Media of Secular Music in the Medieval and Early Modern Period (1100-1650)

Introduction PART 1: The Materiality of Song 1. The Codex Buranus, or The First Chansonnier 2. Parchment Poesis in Guillaume de Machaut's "Prologue" 3. Imaginary Chansonniers: Song, Desire, and Materiality in Vitsentzos Kornaros' Erotokritos PART 2: Songs, Books, Society 4. Verbal and Visual Paratexts: Strategies in Shaping Music Books in the Trecento Florentine Manuscript Tradition 5. Formes of Intimacy: Miniaturisation and Sociability in the Fifteenth-Century Chansonnier 6. The Materiality of Musical Knowledge in Sixteenth-Century Textbooks: Appropriation, Personalisation, and Self-Representation 7. The Modern Music Edition as Material Histor(iograph)y PART 3: Picturing Sound, Hearing Images 8. Secular Sounds in Late Medieval Lives of Saints and Their Pictorial Representations 9. The Sounds of Poliphilo and Polia 10. The Domestic Life of the Syrinx PART 4: Musical Objects 11. Music, Heraldry and Material Culture in the Late Middle Ages: Ars Nova Songs for Louis I of Anjou and Bertrand du Guesclin 12. Negotiating Identity and Status: Musicalia in the Relational Strategies of Duke Guidubaldo II della Rovere 13. Sacred Music Books Desacralised: Material Perspectives on Musical Fragments