No Friend but the Mountains

Rezensionen / Stimmen

A chant, a cry from the heart, a lament, fuelled by a fierce urgency, written with the lyricism of a poet, the literary skills of a novelist, and the profound insights of an astute observer of human behaviour and the ruthless politics of a cruel and unjust imprisonment. -- Arnold Zable, author of the award-winning <i>Jewels and Ashes </i>and <i>Cafe Scheherazade</i> The systems of containment and control that the rich world applies to many thousands of migrants and refugees work by reducing people to a faceless presence to either be feared or pitied, but never listened to. In the face of this oppression, Behrouz Boochani's lyrical yet unsparing account is a vital act of resistance, and a unique examination of people pushed to life's extremes. -- Daniel Trilling, author of <i>Lights in the Distance</i> Not for the faint-hearted, it's a powerful, devastating insight into a situation that's so often seen through a political - not personal - lens. * GQ * No Friend but the Mountains, quite apart from the extraordinary circumstances of its writing, gives us a powerfully vivid account of the experiences of a refugee: desperation, brutality, suffering, and all observed with an eye that seems to see everything and told in a voice that's equal to the task. -- Phillip Pullman This is a brilliant book. No Friend but the Mountains is a book that can rightly take its place on the shelf of world prison literature . . . It is a profound victory for a young poet who showed us all how much words can still matter. -- Richard Flanagan, Booker Prize winning author of <i>The Narrow Road to the Deep North</i> Boochani has created a book that resists classification. It overlaps with genres such as prison literature, philosophical fiction, clandestine philosophical literature, prison narratives, Australian dissident writing, Iranian political art, transnational literature, decolonial writing and the Kurdish literary tradition. * Guardian * A terrific book, extraordinary not only because of the near-impossible conditions in which it was written, but because it's gripping, raw, honest, brutal and also deeply humane, poetic, spirited and even at times humorous. It's a searing indictment of indefinite detention (something that still exists in the UK) and a reminder of what happens when we stop seeing migrants as human beings. -- Monica Ali, author of <i>Brick Lane</i> I was weeping within minutes. Bouchani has written a devastating and visceral account of modern displacement and its indignities. It is tangible, and sensory, and rooted in the human body--it stings to turn the page and yet it's impossible to stop. It should be taught in schools as a powerful and damning account of the most astonishing collective failure of our age. -- Dina Nayeri, author of <i>The Ungrateful Refugee</i> Under atrocious conditions [Behrouz Boochani] has managed to write and publish a record of his experiences (experiences yet to be concluded), a record that will certainly leave his jailers gnashing their teeth . . . the absorbing record of a life-transforming episode whose effects on his inner self the writer is still trying to plumb. -- J. M. Coetzee, winner of the Nobel Prize in Literature, <i>New York Review of Books</i> A powerful book of witness that recalls the work of Primo Levi, and is sustained throughout by a profoundly collaborative and stunningly imagined translation. It demonstrates in every line how poetry - and translation - can also generate philosophy. Put it on every curriculum, now. -- Deborah Smith, Man Booker International Prize winning translator