The New Politics of the Handmade

Name: The New Politics of the Handmade | Craft, Art and Design
Brand: Bloomsbury Visual Arts
Price: 26.49 EUR
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Craft, Art and Design

Anthea Black Nicole Burisch(Herausgeber*in)

Bloomsbury Visual Arts (Verlag)

1. Auflage

Erschienen am 10. Dezember 2020

304 Seiten

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978-1-78831-657-6 (ISBN)

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Beschreibung

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Inhalt

List of illustrations
Acknowledgements
Contributors

Introduction, Anthea Black (California College of the Arts, USA) and Nicole Burisch (National Gallery of Canada)

1. From Craftivism to Craftwashing, Anthea Black (California College of the Arts, USA) and Nicole Burisch (National Gallery of Canada)

2. Ethical Fashion, Craft and the New Spirit of Global Capitalism, Elke Gaugele (Academy of Fine Arts Vienna, Austria)

3. Selven O'Keef Jarmon: Beading Across Geographies, Nicole Burisch (National Gallery of Canada)

4. The Making of Many Hands: Artisanal Production and Neighborhood Redevelopment in Contemporary Socially Engaged Art, Noni Brynjolson (University of Indianapolis, USA)

5. That Looks Like Work: The Total Aesthetics of Handcraft, Shannon R. Stratton (Ox-Bow School of Art and Artists Residency, USA)

6. Craft as Property as Liberalism as Problem, Leopold Kowolik (Sheridan College and York University, Canada)

7. Zahner Metals: Architectural Fabrication and Craft Labour, Peggy Deamer (Yale University and Deamer Studio, USA)

8. Capitalising on Community: The Makerspace Phenomenon, Diana Sherlock (Alberta University of the Arts, Canada)

9. Morehshin Allahyari: On Material Speculation, Alexis Anais Avedisian (NYC Media Lab, USA) and Anna Khachiyan (independent, USA)

10. From Molten Plastic to Polished Mahogany: Bricolage and Scarcity in 1990s Cuban Art, Blanca Serrano Ortiz De Solórzano (Institute for Studies on Latin American Art, USA)

11. Things Needed Made, Nasrin Himada (independent scholar, Canada)

12. Secret Stash: Textiles, Hoarding, Collecting, Accumulation and Craft, Kirsty Robertson (Western University, Canada)

13. Shinique Smith: Lines that Bind, Julia Bryan-Wilson (University of California, USA)

14. Margarita Cabrera: Landscapes of Nepantla, Laura August (independent scholar, Guatemala/USA)

15. The Sovereign Stitch: Re-reading Embroidery as a Critical Feminist-Decolonial Text, Ellyn Walker (Queen's University, Canada)

16. Ursula Johnson: Weaving Histories and Netukulimk in L'nuwelti'k (We Are Indian) and Other Works, Heather Anderson (Carleton University Art Gallery, Canada)

17. 'The Black Craftsman Situation': A Critical Conversation about Race and Craft
Sonya Clark (Amherst College, USA), Wesley Clark (artist, USA), Bibiana Obler (George Washington University, USA), Mary Savig (Renwick Gallery, Smithsonian American Art Museum, USA), Joyce J. Scott (artist, USA) and Namita Gupta Wiggers (Warren Wilson College, USA)

Index

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