The Motet in the Late Middle Ages

List of Illustrations List of Tables List of Music Examples List of Sound Clips List of Abbreviations Introduction PART I. COMPOSITIONAL TECHNIQUES 1. Theoretical and Terminological Issues 2. What is Isorhythm? PART II. THE MARIGNY MOTETS, BEYOND FAUVEL, AND VITRY 3. Fauvel and Marigny: Which Came First? 4. Tribum que non abhorruit/Quoniam secta latronum/Merito hec patimur and its 'Quotations'; and Garrit gallus/In nova Appendix: Commentary to Tribum/Quoniam; Commentary to Garrit/In nova 5. Aman novi/Heu Fortuna/Heu me 6. Floret/Florens: Intended for Fauvel? 7. Related Manuscripts, Related Motets; Vitry 8. Vos quid admiramini/Gratissima virginis species/Gaude gloriosa PART III. MACHAUT 9. Words and Music in Machaut's Motet 9 10. Deception, Exegesis and Sounding Number in Machaut's Motet 15 11. The 'Harmony' of the Machaut Mass 12. Machaut's Motet 10 and its Interconnections 13. Machaut's Motet 18: Bone pastor Guillerme/Bone pastor, qui pastores/Bone pastor 14. Text-Music Relationships in Machaut's Motets 4 and 8 PART IV. MUSICORUM COLLEGIUM: THE MUSICIAN MOTETS 15. Apollinis eclipsatur, its Progeny and their Sources 16. Apollinis eclipsatur/Zodiacum signis/In omnem terram and Later Versions with Added Parts Appendix: Commentaries to Web Transcriptions for the Pieces with Multiple Sources 17. Musicalis sciencia/Sciencie laudabili; the Musicians Named in Apollinis and Musicalis 18. Musicorum collegio/In templo Dei/Auete 19. Alma polis religio/Axe poli cum artica and its Named Musicians Appendix: Variants to Ex. 19.1, Alma polis religio/Axe poli cum artica 20. Sub arturo plebs/Fons citharizancium/In omnem terram and its Musicians Appendix: Variants in Sub Arturo plebs 21. Fragmentary Motets and Other Possibly Linked Compositions PART V. ENGLISH MOTETS C. 1400-1420 22. The Yoxford Manuscript and the Motet O amicus/Precursoris 23. The Yoxford Credo Appendix: Notes to Credo Transcription 24. Mayshuet and the Deo gratias Motets in the Old Hall Manuscript 25. Old Hall, the Agincourt Motets, and Dunstaple PART VI. ITALIAN MOTETS 26. The Fourteenth-Century Italian Motet 27. The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis 28. The Motets of Johannes Ciconia 29. Ciconia, Prosdocimus, and the Workings of Musical Grammar as Exemplified in O felix templum and O Padua PART VII. MUSIC FOR POPES AND THE COURTS OF BURGUNDY AND CYPRUS 30. Early Papal Motets Appendix: Music for Popes Clement VI to Eugene IV 31. Trémoïlle Revisited Appendix: Transcription of Incipits as Listed in the Trém Index 32. Some Aspects of the Motets in the Cyprus Manuscript Appendix: The Cyprus Motets Bibliography Index of Manuscripts Index of Compositions General Index