The Bloomsbury Handbook of Popular Music and Youth Culture

Contributors

Introduction
Andy Bennett, Griffith University, Australia

Part 1: Theory
1. The Past, Present and Future of Subculture
Ross Haenfler, Grinnell College, USA
2. 'The Postsubculturalist': Some Critical Reflections Over Twenty Years On
David Muggleton, University of Chichester, UK
3. Music Scenes
Geoff Stahl, Te Herenga Waka/Victoria University of Wellington, Aotearoa/New Zealand
4. The Milieu Culture of Punk: Beyond the Scene - A Guide to Thinking and Researching Culture
Pete Webb, University of Western England, UK

Part 2: Method
5. Ethnography, Popular Music and Youth Culture: An Anthropologist's Account
Evangelos Chrysagis, Independent Scholar
6. Youth, Music and Social Network Analysis
Nick Crossley, University of Manchester, UK
7. Contributions for a Quantitative Approach to Contemporary Youth Cultures and Popular Music: A Case Study from South Europe
Paula Guerra, University of Porto, Portugal
8. 'Images and Words': Textual Analysis and Its Uses for Metal Music Studies
Catherine Hoad, Massey University, Aotearoa/New Zealand
9. Should We Call It Cine-cultural Studies? Cineworlding Popular Music and Youth Studies
Michael B. MacDonald, MacEwan University, Canada

Part 3: History
10. Counterculture and Youth Culture: Definitions, Drifts, Events, Music, Echoes
Sarah Hill, St. Peter's College, University of Oxford, UK
11. Glam Rock: Youth Culture, Performativity and Sexuality
Jon Stratton, University of South Australia
12. Time to DIY: A History of Punk and Indie
Matthew Bannister, Wintec (Waikato Institute of Technology), Aotearoa/New Zealand
13. The Dynamics of Dance: An Early History of Electronic Dance Music
Alex van Venrooij, University of Amsterdam, the Netherlands, and Rens Wilderom, University of Amsterdam, the Netherlands
14. Under a Groove: Rap, Hip-Hop and Their Glocalization
Stefano Barone, University of Central Lancashire, UK

Part 4: Identity
15. Structure and Historicity of Youth Music Tastes: A Brief Overview of Forty Years of Theoretical Debates
Herve Glevarec, CNRS, France, and Raphael Nowak, University of York, UK
16. 'Hey Girl, Don't Bother Me': Gender, Sexuality and (In)visible Communities in Popular Music and Youth Culture
Sarah Raine, University of Limerick, Ireland, and Eveleigh Buck-Matthews, Birmingham City University, UK
17. Beyond Youth: Music Scenes and Ageing
Paul Hodkinson, University of Surrey, UK
18. When We Were Young: Popular Music, Youth and Memory
Ben Green, Independent Scholar, Australia

Part 5: Media
19. Youth Radio, Music Cities and the Role of Urban Sociability: Case Study of Radio KUT FM (Austin) and Triple R FM (Melbourne)
Andrea Baker, Monash University, Australia
20. Youth, Zines and Music Scenes
Ashleigh Watson, UNSW, Sydney, Australia
21. Youth, Identity and Everyday Sound Environments in the Age of Digital Technologies
Raphael Nowak, University of York, UK
22. Popular Music in a Brand Culture
Nick Carah, University of Queensland, Australia, and Kiah Hawker, University of Queensland, Australia
23. Singing and Soundtracking Identity: Youth, Music and Film
Scott Henderson, Trent University Durham GTA, Canada

Part 6: Place
24. Youth, Music and the City: A Mapping of Leeds in Five Scenes
Brett Lashua, University College London, UK, and Gabby Skeldon, Independent Scholar, UK
25. Rural (Un)cool: Alternative Geographies of Young People and Music
Lisa Nikulinsky, Independent Scholar, Australia
26. Music Festivals and Youth
Chris Anderton, Solent University, Southampton, UK
27. Music, Youth and Virtual Spaces
Sian Lincoln, Independent Scholar
28. Independent Music and Independent Music Scenes: From DIY-led Collectives to Individualized Professionals?
Robin Kuchar, Institute of Sociology and Cultural Organization, Leuphana, Germany

Part 7: Music-making
29. Youth and DIY Music and Media-making
Rosa Reitsamer, mdw - University of Music and Performing Arts Vienna, Austria
30. Cultivating Community on YouTube and Expanding Through Social Media
Christopher Cayari, Purdue University, USA
31. Home Recording, Production and Young Musicians Working in the Context of the 'New' Music Industry
Richard Frenneaux, Independent Scholar
32. Youth Culture, Technology and Tribute Entertainment
Georgina Gregory, University of Central Lancashire, UK
Index