Women's Historical Fiction Across the Globe

Introduction: Catherine Barbour and Karunika Kardak, 'New Directions in Women's Historical Fiction Across the Globe'.- Section 1: 'Remembering'.- Chapter 1: Elisa Sampson Vera Tudela, 'Recovering and Rewriting the Past through the Testimonial: Claudia Salazar Jiménez's Fictions of Contemporary Peru'.- Chapter 2: Kata Gyuris, '"Turn remembrance into a sly weapon": Reclaiming Archival Memory in Maaza Mengiste's The Shadow King'.-Chapter 3: Seoung Yun Lee, 'An epic journey into history: reified memories in Korean "comfort women" novels'.-Section 2: 'Retelling'.- Chapter 4: Tegan Zimmerman, 'Speaking Through Stone: Mother-Daughter Plots in Dahlma.- Llanos-Figueroa's Neo-Slave Narrative Daughters of the Stone (2009)'.- Chapter 5: Nisha Ghatak, 'In the Shadows: Privilege and Feminine Disquiet in Aruna Chakravarti's Jorasanko'.- Chapter 6: Linda Garber, ''Yo Ho, Yo Ho, a Pirate Dyke for Me': Contemporary Lesbian Historical Fiction'.- Chapter 7: Bonnie Thomas and Beth Kearney, ''Bringing toLight' a Marginal Figure of History: Photography in Gisèle Pineau's Ady, soleil noir (2021)'.- Section 3: 'Resisting'.- Chapter 8: Radhika Sharma and Nagendra Kumar, 'Personal, National and Historical: Indo-Pak Partition as an Embodied Experience'.- Chapter 9: Guadalupe Elías, 'Carmela, Catalina and Black Lemon Leaves. Mexican History and Coloniality in Ángeles Mastretta's Arráncame la vida (1985)'.- Chapter 10: Jessica Habib, 'Between the Self and the Collective: Reading Daughter Narratives and Postcolonial Settings in Erendiz Atasu's The Other Side of the Mountain (2000) and Consuelo Baehr's Three Daughters (2014)'.